FIXED:All grace notes should be slurred, as per the custom
(Piano) Isn't neccessary in the title
Various alignment issues
M. 1-8, 50-55, 114-127, 133-136 - LH needs octaves throughout
M. 9 - Extra measure number removed
M. 9-15 - need octaves in LH on beat 1 of each measure
M. 9,10,13,14 - Chords are inverted, needed to raise them an octave too
M. 11,12 - Raise chords an octave
M. 16 - LH should be a half note, not staccato quarter
M. 18-23, 26-32, 42-48 - The bottom note in these chords should be very low in the LH. The rest of the chord is split higher towards the treble clef, and can be played with the RH (I'm not sure if the LH has octaves here, but I think it doesn't)
M. 18,19,22,23,26,27,30,31,58,59,63,64,66,67,70 - Should probably try to show where beat 2 is in all this syncopation
M. 21 - Chords are slightly off
M. 24 - LH octave
M. 25 - Swap the direction of the beams for the two voices so they don't conflict.
M. 25,57,65,69 - Try to add second voice rests so there's no confusion about when the second voice comes in.
M. 33 - No D in in RH on last chord, adding a D makes the progression feel ascending
M. 34-35, 38-39 - Chords on 2nd beats are inverted, make G# and F# top notes to give a descending progression
M. 40-41 - E's are also inverted, similarly to above comment
M. 34-48 - Need octaves in LH on first quarter note of each measure
M. 12,38,45,85 - Octaves in sixteenth notes, low octave can be played with LH
M. 49 - Half note chord is a repeat of the last in M. 48
M. 56 - Dynamic should probably stay piano until the pickup. There's a G# in the RH chord
M. 58,66 - No syncopation in LH
M. 59 - Last note should be tied into M. 60
M. 61 - Dotted eighth should be accented, no movement in LH, G# in RH
M. 70-71 - Missing harmonies in the RH
M. 73 - No D# needed in third chord, similarly to M. 33
M. 78 - This part comes in on beat one, and the LH chord from M. 77 is not rearticulated. There are octaves in the LH and there is no C in the last note; it's just more octaves with F
M. 74-87 - The RH has high octaves in the melody
M. 106 - Instead of tying the bottom notes to indicate they should be played longer, move them into the second voice and make them half notes. THe octaves here are also way past what one person could play, which makes me think the original isn't actually a solo. I'd recommend including the low Gs on the first note and moving up for the other three chords.
M. 118 - Accent in LH on 2nd beat
M. 119 - No high F in LH, it's brought in very noticeably in the next measure
M. 123 - Should not be an 8th note in the LH
M. 116 - The only difference between the 1st and 2nd beat sounds like the addition of an F in the RH
M. 117 - The F in the RH persists through the last 2 notes
M. 120 - Same sort of feeling as M. 116, D in RH is not rearticulated on beat 2
M. 124 - Same chords on beat 1 and 2
M. 127 - The F in the LH comes in on beat 2
M. 130 - Raise LH an octave
M. 137 - Molto Ritardando
TODO:M. 62-onwards - The progression in these verses should mimic the changes needed in the first
M. 95 - This section looks like you started getting closer to what notes should be played, but it's highly unplayable. Try to be more indicative of which notes should be played with each hand too while fixing this part
- In places like 81 use accents?
- Pedal notation would be nice