- Any particular reason for the courtesy flat in measure 8?
- Ending could be marked a little clearer - with a "To Coda" marking?
- Staccato on wrong side of note in m. 15 LH.
This OST is terribly designed. Why would you tarnish my piano arrangement with its presence? T_T
A simple mistrust of people remembering to remember to replay a Cb. Maybe not needed perse, but hey, it's just a courtesy...
a GAAAME courtesy.What you & Mael should've said: "Finale's default space allotment between m. 7 and m. 8 sucks and I think a quick swipe of the measure tool would do wonders."A coda is, by definition, an ending
(see Mozart's Piano Sonata no. 7 in C Major, K. 309, I, mm. 148-155 (https://upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Mozart-_Coda-_Sonata_in_C_Major%2C_K._309%2C_I.png/1920px-Mozart-_Coda-_Sonata_in_C_Major%2C_K._309%2C_I.png)) My use of the symbol is meant only as a visual aid to clarify the function of m. 18. Granted, this symbol is strongly associated with the concept of "coda" as a repetition device in modern notation, so perhaps I should replace it with text saying "Coda" to clarify my use of the term as a
structural device and not a repeat system. My end goal is to create a high-degree of separation between the self-composed ending and the original composition, hence the system break and miniaturized staff size. Using a "To Coda" would contaminate the song itself with elements of my original ending.
Quote from: Latios212 on July 08, 2016, 07:22:27 PM- Staccato on wrong side of note in m. 15 LH.
^Thank you. This is good; do this more.
This submission has been accepted by Latios212 (http://forum.ninsheetmusic.org/index.php?action=profile;u=4344).
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