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« on: May 08, 2021, 05:47:16 PM »
Alrighty, I apologize for the wait.
Feedback time... : )
M. 7 & 15 (LH): Maybe it's just me, but I'm not hearing that low A. Either it's an instrument different than the bassoon (or whatever) that I'm not hearing, or it's not there.
M. 22 (and recurring; LH): Looong ago on one of my very first submissions, Deku/Olimar, can't remember which, told me to never repeat the same note in a LH waltz accompaniment like this. In my opinion (and from what I was told many years ago), I wouldn't recommend repeating the downbeat note along with the second and upbeat notes. Additionally, I've never seen professionally published piano music do this. My personal recommendation would be to get rid of the top C in the octave on beat 1.
M. 26 (RH): Playability concerns are what come to mind in this measure. If your highest goal is to preserve the notes, it'll be fine. It's not impossible for sure. I just wanted to note that it's not the easiest to play.
M. 68: I would recommend a FF (double forte) since it sounds more intense than the previous measures.
M. 69 (Both hands): Similarly, an accent on the first note of this measure would be nice.
- From what I'm seeing, there's an inconsistency with how the layers are being written. For example, M. 31 (and others like it), the rest in one of the layers is hidden, while in M. 32 (and others like it), the rest is present.
- Some of the chords in the LH sound muddy. That could be resolved by inverting the triads up.
- I've noticed that you have a few courtesy accidentals, which is good! But I would recommend combing through again and placing some where it'd be beneficial.
That's all I have for now! Loving this song. I can't wait to play the game when I get time...
