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Messages - BlueKirby

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1
holy crap yes!! i've been waiting for a piano arrangement of the day version of this song for ages!!! seriously, it used to be my favorite song from xenoblade (i'm sorry, but the DE version of central factory is just soOOOO GOOD!)

thank you! i'm just!! happy!

2
Forum Games / Re: The NSM Guess-That-Melody Quiz!
« on: May 08, 2021, 01:30:33 AM »
i was bored so i decided to finish this one up

BlueKirby's 4th Quiz

i've decided to abandon difficulty this time because i just wanted to try and branch myself to different osts. the overall difficulty is harder, but there are a few easy ones i put in there.

there are 2 Mario, Zelda, Pokemon, and Kirby melodies, as well as 2 Final Fantasy melodies due to a minor error that i was too lazy to fix.

have fun, don't be afraid to ask for hints. there's no limit but don't abuse them.

[Folder O' Stuff]

3
Forum Games / Re: The CTRL-V Game!
« on: April 23, 2021, 08:00:41 PM »

5
Site News / Re: Update, Wednesday 21st of April 2021
« on: April 21, 2021, 07:28:54 PM »
>xenoblade 2, echoes, return to dream land, triple deluxe, mother 3, undertale

good update. nice job y'all

6
Site News / Re: NinSheetMusic's 17th Birthday!
« on: April 11, 2021, 06:01:45 PM »
woooo! this site has honestly been THE most influential thing to me in recent years, and has really pushed me to do more music and try new things.

thank you to all who contribute and help keep this site up.

7
i think this is an extremely good update, personally

8
Site News / Re: Update, Sunday 28th of March 2021
« on: March 28, 2021, 09:03:55 PM »
star allies and big bean vine pog

9
best len'en song, don't @ me

[Evanescent Existence] Tendency That Sways Even Anchors ~ Lost Anchorage: [PDF][MUS][MID] Listen on MuseScore | Original

10
:papyruswindow.gif:

For this one, I also mean notes like these:
Image
[close]

yeah i was dumb and for some reason thought those were at the end of a beat.

What do you mean? The way you have it written out right now, the second section is the same as the first with the RH raised up an octave except for the last few measures.

what i'm trying to say is i put them side-by-side and heard what i had written

Let me know once you've got these plus the measure distribution stuff.

don't exactly know how to do this in either notepad or musescore, so could y'all please do it for me? sorry

11
Quote from: mastersuperfan
- Crescendo in m72 is touching the barline.

- Whenever a 16th note lands directly on a beat or on a "0.5 beat" (e.g. beat 1.5, 2.5, 3.5, 4.5) without another 16th note right after it, it's cleaner to write it as a staccato 8th instead. i.e. beats 1.5 and 3.5 for m97-111 RH, beats 1.5 and 4 for m112-127, beats 1.5 and 3 for m128.

fixed

Quote from: mastersuperfan
- m121-128 would be much better written with an 8va over it. For that matter, it'd be most efficient to simply write m113-128 as one big repeat system with a first and second ending and a note to play it 8va the second pass. (For now, don't worry about the second pass 8va on playback—we can add that later in Finale.)

i'm dumb and forgot to mention that when i was editing it prior i played the sheet and song together (which also made me realize i may have had some tempo issues) and it sounded more like what i had rather than that

12
All right, sorry for the wait! Here's some feedback...

- Measure numbers and page numbers... we'll grab this later. For now, all the feedback below is going to refer to measure numbers without the pickup measure (i.e. so the first measure in the second system is m4).

- IMO, I think this would work more nicely if the LH were legato and held for the entire piece (except for m32 for obvious reasons) instead of being staccato and detached for the first five pages. When the LH is staccato, I think the bass just has too much empty space to fill the arrangement.

- m4 LH beat 4.5 repeats the D-A-D chord instead of moving down to C-G-C.

- m8/12 LH beats 4-4.5 repeat the E-B-E chord two more times instead of moving down.

- Same goes for m16 as with m8/12, except m16 also plays the E-B-E chord on beat 3 as well (whereas there's a rest there in m8/12).

- m31 RH lower note should be an A instead of a B. Same for m36 RH beat 3, m38 RH beat 4, m40 RH beat 4, m44 RH beat 3, and m46 RH beat 4.

- m32 LH sounds like it should actually have a chromatically descending pattern (E-Eb-D-Db) instead of paralleling the RH.

- m34 RH beat 2.5 should have C as the lower note instead of B. Same for m35 RH beat 1, m38 RH beat 1, m42 RH beat 2.5, m43 RH beat 1, and m46 beat 1.

- Perhaps double the melody down an octave in m41-48 to distinguish this phrase from m33-40? May or may not consider raising it up an octave too.

- For m49-64, see comments on m1-16 (both RH and LH), except now here the end of m52 just sounds like three repeated E-B-E chords.

- For m65/66/69/70/.../78 RH beat 1, the lower note should be C instead of B.

- For m65/69/73/78 RH beat 2.5 the lower note should be F# and G.

- In general, it wouldn't hurt to go through and double-check all the harmonies in the RH since I may not have caught everything.

- m67 LH chord should be B-F-B (low B).

- Crescendo in m72 is touching the barline.

- For m81-96, see notes on m33-48.

- m105-109 are extra measures that aren't actually in the original.

- I would hide all the tempo markings and only show the "rit." where necessary. Also, "poco a poco accel." is more conventional than "gradual accel" (and for good measure, you could tack on "poco a poco accel. e cresc.", too). At m97, you could say something like "Meno mosso" at the beginning instead of explicitly delaying a strict tempo marking in order to give the player some freedom in how slow to start out.

- Whenever a 16th note lands directly on a beat or on a "0.5 beat" (e.g. beat 1.5, 2.5, 3.5, 4.5) without another 16th note right after it, it's cleaner to write it as a staccato 8th instead. i.e. beats 1.5 and 3.5 for m97-111 RH, beats 1.5 and 4 for m112-127, beats 1.5 and 3 for m128.

- Repeated 16th notes in the RH significantly up the difficulty for (IMO) not much benefit. I'd suggest removing some of the repeated consecutive 16th notes and leaving just the 16th notes on the emphasized beats. For example:
Image

[close]

- m121-128 would be much better written with an 8va over it. For that matter, it'd be most efficient to simply write m113-128 as one big repeat system with a first and second ending and a note to play it 8va the second pass. (For now, don't worry about the second pass 8va on playback—we can add that later in Finale.)

ok so i mostly (tried) to address this except for one... (also i did this in musescore then re-exported so please forgive me if that was the wrong thing to do i just cannot use notepad to save my life sometimes)

- For m1-16 RH, I hear the second RH note as being tied for most of the measure, and not restruck on beat 2.5. I can hear where you think the restruck rhythm on beat 2.5 is coming from, but I think that's just the underlying chords, and not the strings melody itself.

- For m129-end, see feedback on the m1-16, except just in a different key.

as someone who owns an sd-90 (which has all the instruments used in len'en music) and has messed around with the patches (including the violin, which is "Violin Vib 2"), i can say to me it does sound more like it's restriking rather than holding. Here's an example of what this sounds like when isolated (though this is from Touhou because I took this from a Touhou soundlist spreadsheet, though they are starting on Len'en. Also song is this for anyone interested).


EDIT: also forgot to mention i starred which tempo markings should be kept (as in not hidden)

13
boop

[Reactivate Majestical Imperial] Walking a Road that Ends in Futility: [PDF][MUS][MID] Listen on MuseScore | Original

14
Help! / Re: A Help to MuseScore Formatting
« on: March 05, 2021, 08:03:34 PM »
here's an alternate download link to ver. 1.4 of the pre-3.6 template for anyone who for some reason needs it. the link stopped working for me today, and my template copy was mysteriously deleted off of my computer.

[1.4 alt]

15
it's finally done... i'm so proud of y'all...

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