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Show posts MenuQuote from: Static on February 20, 2022, 08:49:20 AMRegarding m22, I was thinking of just including the 16th notes, since the other notes are covered by the chords. Something like this maybe:I don't think I have anything more to add other than what has already been mentioned but I absolutely enjoy this change.
Quote from: Latios212 on February 15, 2022, 07:06:11 PMBloop's screenshot looks good to me; I've updated it accordingly! Sayshi, I'm not too sure what you mean about putting C's in the bass clef though.You cannot view this attachment.
Quote from: Bloop on February 13, 2022, 03:45:40 AMWelcome to the submission side of NSM, Theguy!Thank you very much, and thank you for all the feedback as well Bloop! I admit I don't have much experience describing things notation wise, but I'll do my best ^^
Quote-m4: I hear a C from the string chords on beat 1: maybe it'd make sense to notate it like this?I definitely agree with this! I think the idea is that the string chords sound on the first and second beats, so that would make sense.
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I moved the C from the L.H. on beat 2 up too, so the R.H. has those staccato string harmonies every beat that appear in the next few bars too.
Quote-m5: I believe all the melody notes on beat 3 are staccato (so also the first and second one), though the first one does have a slight accent. You could slur the first note to the second to show that accent, or have them all staccato.Thank you for bringing that up. I agree the slur does feel out of place now that I look at it again.
Quote-m7: I hear D's on beat 3.5 and 4.5 in the R.H. from the string harmonies: did you happen to leave them out so they wouldn't be confused as melody notes?Indeed, I believe I had these in my original draft but Lat and I settled on a single D (because I think it sounded clash-y on the piano?) I'll chat with them again about it ^^
Quote-m14: I believe I hear the violin restrike the G on beat 4.I think we talked about this as well and I'm glad you brought it up as I was wondering if the violin did continue the beat or dropped it entirely.
Quote-m15: I hear half note A's below on beats 1 and 3. Also, I think it may be better to move the pedal mark press marks (the Ped's) from beat 2.5 to beat 3 and from beat 4.5 to beat 1 of the next measures. Currently, there could be notes from the L.H. that will get held over which you might not want (like the Bb half note from beat 1 or the C#-E-G half note on beat 3. You also don't gain that much new harmonic information from the notes you want to hold over.Hmm... Looking at it now I do see what you mean in how the pedal marks are in a weird place. I think that can be fixed easily. As for the half note A's I can definitely hear that and I'll try to add those in.
Quote-m16: I hear an F on beat 2.5 instead of an A in the R.H., as wel as G and F instead of the bottom E and D on beats 3.5 and 4.I agree with these as well. Good spots! I'll bring it up with Lat ^^
Quote-m17: I hear a cello playing these bass notes legato instead of staccato, maybe you could move the bottom notes to a separate layer with tenuto markings or a slur?That's an interesting idea! I wouldn't be opposed to that at all, it's a detail I never really noticed.
Quote-m22: These L.H. chords should have staccato dots too, except maybe the 4th, since the strings play a longer note here: maybe add a tenuto mark or slur here to be sure it won't be played staccato as well?I see what you mean. In my mind we left it like that intentionally to preserve the "orchestral" flow of the song - too much staccato would leave the bar feeling a little too 'crisp'.
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