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Nice job everyone, and congratulations Olimar! Too bad for some of the 0 points on some, but oh well. All should be proud!

let's see for fierce's
double barlines indicate;
1 - m. 46
2 - m. 91
3 - m. 131
4 - m. 179
5 - m. 231
i call for recounting fierce doesn't deserve this

My favorite has to be a tie between Fierce and Olimar. Again, good job!

1

Correct! I've never broken anything

i wish i ever saw a wild owl

oh wat it even helped

Oh well uhm
1. I've broken my leg before
2. I've never seen a wild owl before
3. I've been to a death metal concert

I have no awards to ask a title for D:
Unless I can get a title for "Mentioned a Few Times"

3 because you didn't use links in that statement

I vote for neither

Why not both?

master degree

I SAID I WOULD GIVE FEEDBACK

-Overall, there are lots of places where the rhythm grouping is incorrect. Go here for information about what they are and how to make them correctly.
Also, try to add some staccato marks in the score. Staccato means to play a note shortly. The marking for this is under the articulation tool, it's the first one in the list.
-Add a double barline before every key change. This can be done with the measure tool.
About the key changes though, I believe the key changes to E major in measure 21, but I'm not sure about that.

-I believe the A's in measure 14 should be Bb's.
Change the D#'s, G#'s and A#'s into Eb's, Ab's and Bb's in measure 17-18. This makes it easier to read (also note: The D in the left hand should be an Eb)
Like measure 14, I believe the B's should be C's.

Also, the title has to be between parentheses. (quotation marks)

-There are loads of harmonics missing in the sheet. Take a listen to the original again and try to include them
-Your .mus file is a .musx, which can only be opened by Finale 2014. I have 2014, but other don't. Export the .musx file to a .mus file (Finale 2012; it's in the same box as exporting to midi files)

i think 4 is the lie

(finally got to answer decently) Thanks, that'll surely help! Maybe that detailed explanation could help me understand it a bit better ^^

But that'd prevent actual cool newcomers from posting in the Introduction thread. I think it's alright the way it is, Sammer will probably get banned anyway

Oooh this will help me so much I'm sure
I know quite a bit from piano sheet music (mainly classical), so I'll gladly help with any piano-related questions

A thing I've been doubting about is slurs in woodwinds and brass; How exactly do they work? I've read stuff about tonguing etc. but I'd like to know if there's any impossibilities or something for them. I think it isn't as restricted as in strings sheet music but yeah
how dey wurk

Added the C#'s, altered the Ab's and fixed a few articulation stuff. Stuff's fixed!

There are some gem B-sides like The Groove, Fury, Eternally Missed, and Spiral Static that are some of my favorite Muse songs actually.

Don't forget Glorious and Futurism! :p