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Messages - InsigTurtle

Pages: 1 [2] 3 4 ... 105
16
*All's good, I know the event when this plays

17
No, not the melody, it's the other voice that you've got in there

18
Forum Games / Re: Topic Kicking
« on: June 11, 2019, 07:39:45 AM »
You don't really exist, do you?

That's okay. You're among friends now. We don't really exist either.

Come, have a cup of tea. We can talk about our non-existence together.

We could also talk about our non-essence. That's fine, too.

While you're here, do you mind answering a question for me? It's been bothering me for a bit.

... Is that silence a yes or a no?

... You don't seem to be the talkative type.

Well, I guess silent protagonists are alright too. I don't mind.

19
for m.17-18, i'd suggest making those music box notes an octave higher or so, just so you get that timbral contrast, also i'm hearing that line go "C D G"
in the ending, you could actually move the harp line up an octave and have the LH do the double thirds
m.1 i'm thinking the bass actually starts at that C3, then hops down as you have there. so the C's in m.3-5 should actually be C3 -> C2 -> C3 as it hops up and down
i'm not sure if i'd use the glissando in m.28, since on a piano you can really do either a white key or a black key glissando, and so the F you'd hit by the white key glissando implied wouldn't go well with the F# in the treble


20
i want to cry


anyway, about the sheet! seems good, i see what you've done with regards to the voices. no complaints here

21
Forum Games / Re: Topic Kicking
« on: June 05, 2019, 07:14:16 AM »
Also, before anyone says something weird: that is one of Lucky's only lines in the play "Waiting for Godot" (the English translation) by Samuel Beckett. Analyzing that play was probably the worst time of my life and I liked it so much

22
Forum Games / Re: Topic Kicking
« on: June 05, 2019, 07:01:04 AM »
Given the existence as uttered forth in the public works of Puncher and Wattmann of a personal God quaquaquaqua with white beard quaquaquaqua outside time without extension who from the heights of divine apathia divine athambia divine aphasia loves us dearly with some exceptions for reasons unknown but time will tell and suffers like the divine Miranda with those who for reasons unknown but time will tell are plunged in torment plunged in fire whose fire flames if that continues and who can doubt it will fire the firmament that is to say blast hell to heaven so blue still and calm so calm with a calm which even though intermittent is better than nothing but not so fast and considering what is more that as a result of the labours left unfinished crowned by the Acacacacademy of Anthropopopometry of Essy-in-Possy of Testew and Cunard it is established beyond all doubt all other doubt than that which clings to the labours of men that as a result of the labours unfinished of Testew and Cunard it is established as hereinafter but not so fast for reasons unknown that as a result of the public works of Puncher and Wattmann it is established beyond all doubt that in view of the labours of Fartov and Belcher left unfinished for reasons unknown of Testew and Cunard left unfinished it is established what many deny that man in Possy of Testew and Cunard that man in Essy that man in short that man in brief in spite of the strides of alimentation and defecation is seen to waste and pine waste and pine and concurrently simultaneously what is more for reasons unknown in spite of the strides of physical culture the practice of sports such as tennis football running cycling swimming flying floating riding gliding conating camogie skating tennis of all kinds dying flying sports of all sorts autumn summer winter winter tennis of all kinds hockey of all sorts penicilline and succedanea in a word I resume and concurrently simultaneously for reasons unknown to shrink and dwindle in spite of the tennis I resume flying gliding golf over nine and eighteen holes tennis of all sorts in a word for reasons unknown in Feckham Peckham Fulham Clapham namely concurrently simultaneously what is more for reasons unknown but time will tell to shrink and dwindle I resume Fulham Clapham in a word the dead loss per caput since the death of Bishop Berkeley being to the tune of one inch four ounce per caput approximately by and large more or less to the nearest decimal good measure round figures stark naked in the stockinged feet in Connemara in a word for reasons unknown no matter what matter the facts are there and considering what is more much more grave that in the light of the labours lost of Steinweg and Peterman it appears what is more much more grave that in the light the light the light of the labours lost of Steinweg and Peterman that in the plains in the mountains by the seas by the rivers running water running fire the air is the same and then the earth namely the air and then the earth in the great cold the great dark the air and the earth abode of stones in the great cold alas alas in the year of their Lord six hundred and something the air the earth the sea the earth abode of stones in the great deeps the great cold an sea on land and in the air I resume for reasons unknown in spite of the tennis the facts are there but time will tell I resume alas alas on on in short in fine on on abode of stones who can doubt it I resume but not so fast I resume the skull to shrink and waste and concurrently simultaneously what is more for reasons unknown in spite of the tennis on on the beard the flames the tears the stones so blue so calm alas alas on on the skull the skull the skull the skull in Connemara in spite of the tennis the labours abandoned left unfinished graver still abode of stones in a word I resume alas alas abandoned unfinished the skull the skull in Connemara in spite of the tennis the skull alas the stones Cunard tennis... the stones... so calm... Cunard... unfinished...

23
Creativity Corner / Re: Insig Tries To Play - Discussion!
« on: May 02, 2019, 10:38:20 AM »
Update: I tried. I really tried.

I can't seem to find a decent solution that would allow me to show off the cutscenes and dialogue easily, while limiting the images I needed. I tried a trial run where I recorded the gameplay, clipped only certain segments and converted it to GIF, but the recording software I used isn't very good on my terrible computer. I'll keep y'all posted if I ever find a solution.

In the meantime, the adventure of Sparks the Cyndaquil and Bubbles the Totodile will still be on hold.

25
Submission Archive / Re: [PC] CrossCode - "Valse d'Ahoge" by Greg
« on: April 18, 2019, 04:01:29 AM »
Some stuff i noticed:

m. 4 sounds like you should have a diminished chord in the bass, not just a minor
m. 37 sounds like the melody ends on an A, not a D
m. 48 sounds like the bass chord should be Gm7 now, not Gm9
m. 54's first chord should be an augmented chord (just like m. 2)

26
For m.7 of Hymn - Spira: Sounds like the first beat should have something in eighths? Not quite sure what you're doing there. I understand why you've done some revoicing in other places, though

Otherwise, I think it's good

27
Tiny thing: m.13's chords should be Eb F Gb Db, not Eb Gb Ab Db. Once that's fixed, will accept

edit: meant that to be green, not pink. whoops

28
Gonna just do some quick checkins here before I make any edits:

- sounds like a Bb in the lowermost voice of m.2 beat 3, moves down to an A on m.3
- m.8 beat 3: i'm thinking the voice that goes "C D B C" is more important here, maybe take another listen?
- m.10 i'm hearing beat 2 as an A, followed by E, C#, Bb (without the eighth rest)
- m.11 sounds like there should be a D in the chord somewhere, doesn't look like it has that dissonance as is. likewise, try to fill out the m.12 chord a bit more to capture that feel? i hear the eighths on beat 3. of m.12 spelling out a quartal chord as well (going something like A D G C?)
-m.21-28 i don't think it should be too difficult if the LH also holds down the pinky and plays the D C Bb A bass as well, so consider adding that in?
- m.29: i'm thinking, we can either switch to a different pedal marking since this is a bit messy, or we could do the pedal for like 2 measures, then write "ped. simile", and then write out the pedal markings again when the pattern changes
- m.39 sounds like the bass should be D#, not D
-m.49 hearing those ascending 16ths as G A B C#
-m.60 beat 2.5: hearing it as 2 16ths, going D C#. m.60 beat 2.5 going E A
-m.79 i think you're getting that problem since you're not using the wavy glissando? could be wrong tho
-m.90 beat 3: you didn't add a natural to the E in the treble :(
-m.92-95 hearing the bass ascend like Db - D - Eb - E - F - Gb - G... the next note i can't hear too well, though, but i *suspect* it's a C

lotsa stuff to check and do, this wasn't a thorough checking tho

29
Site News / Re: Update, Thursday 21st of March 2019
« on: April 04, 2019, 05:56:06 AM »
i hope the seasonal updates becomes a new tradition

30
Off-Topic / Re: The Birthday Topic
« on: March 18, 2019, 07:51:00 AM »
I just noticed my birthday doesn't show on the calendar, probably because of this


I remembered with 10 minutes to spare, so I managed to snap that pic in time :P

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