Messages

only thing i'm curious about is why you didn't notate that choir coming in at m.32, since (i feel) the way it punctuates the relative peace is a bit important, so i'd add emphasis to that currently notated arpeggiated chord or something

looking good!

The only thing I'm not really a fan of here is with m.33-36 with the brass and the choir, since as is there's no real indication that they're separate voices. Otherwise, I like it!

Accents could work, or even tenuto markings (which, even though it means to hold down for the full length, also implies some degree of emphasis on the note)

Also sorry for not being too clear on this, when I wrote "dotted eighth - dotted eighth - eighth" it was a bit of a shorthand, since in this case you'd have to split the second dotted eighth to show the beat by doing "dotted eighth - sixteenth tied to eighth - eighth"

For a super unambiguous example:
https://www.youtube.com/watch?v=R_e-6t34Cwc (Super Mario RPG)

[[GBA] Banjo-Pilot]

I was going to put an Autumn pun, but I didn't want to Fall over backwards coming up with one.  And for you southern hemisphere folks, I'm trying but just nothing Springs to mind.

Hope y'all had a good equinox, now have some more sheets.

[GBA] Banjo-Pilot
"Lava Track" by Jack

[SWITCH] Cadence of Hyrule: Crypt of the NecroDancer Featuring The Legend of Zelda
"Zelda's Lullaby (File Select)" by Zeila

[NES] Castlevania II: Simon's Quest
"The Silence of Daylight" (Replacement) by LeviR.star

[PC] Cave Story (Doukutsu Monogatari)
"Balcony" by Th3Gavst3r

[PC] CrossCode
"First Scholars (Two Pianos)" by Greg

[MUL] Final Fantasy XIV: Shadowbringers
"What Angel Wakes Me" by Static

[GBA] Fire Emblem: The Blazing Blade
"Lyn's Desire" by Libera

[SWITCH] Fire Emblem: Three Houses
"Life at Garreg Mach Monastery" by Latios212

[SNES] Harvest Moon
"Winter" by Code_Name_Geek

[SNES] Kirby Super Star
"Corkboard" (Replacement) by Yug Guy

[MUL] M.U.L.E.
"Main Menu" by Th3Gavst3r

[SNES] Mario Paint
"Monkeys (Duet)" by Nine Lives

[SNES] Super Mario World 2: Yoshi's Island
"Yoshi's Island" (Replacement) by Latios212

[Wii] Super Paper Mario
"Big Blooper Appears" by ThatHiddenCharacter

[SWITCH] Super Smash Bros. Ultimate
"MEGALOVANIA" by mastersuperfan

[GB] The Final Fantasy Legend
"Wipe Your Tears Away" by LeviR.star

[PC] Touhou 8: Imperishable Night
"Reach for the Moon, Immortal Smoke" by Maelstrom

[PC] Undertale
"Spear of Justice (Beta)" by Zeila

[Wii] Xenoblade Chronicles
"Gaur Plain" by Libera

As in groups of 3 16ths in the top staff, vs 4 16ths in the bottom staff as quarters

More feedback time!
- You could still add more meticulous articulation notation by adding slurs to show which notes are joined vs which are detached.
- m.18 hearing a F# dim as the 2nd chord, not the split 3rd it is right now
- m.21-22 not at all hearing what you've written in the jazz organ. Sort of sounds like a Dmadd9->Em7? I'll check on that once I refresh my brain unless someone else wants to chime in

It looks like there's an ornament that's clashing with the F in the bass, m. 11 b. 3. I can't fix it right now since I'm not on my comp, but otherwise I'll give the okay

Ah. I meant 59

If you want, you could make the first section unmetered, since it gives me that sort of medieval chant vibe.
Hearing an E in the last chord of m.16/first chord of m/17

m.24 treble cfirst hord sounds like it should be F min,not/ C
m.70 treble needs b on first G

if you're gonna add them tiny notes, i'd still add a Db dotted half note in places like m.6 just to clarify the direction of the flute line.

There's really no need to add a staccato to a dotted quarter like in m.8 and so forth, a dotted quarter would show the same information with less clutter

Did a preliminary check and most things seem goo,d

M.21 's Gb in bass should be F#
for m.27 and likewise, you could preserve the linear motion in LH by using an Fb there instead of an E

Tbh, I'd still group the section at m.45 in groups of 3 on the top, with the quarters on in the lower staff. It's perfectly fine to have two different pulses in each hand in opposition to one another.

My only real complaint with this is that with the octave separation, I see that you aren't letting some of the voices finish their phrases cuz it'd be impossible to play. It does help to distinguish between them though, I'll give you that. Another option is, you could have the performer play the other voice in the same octave but with a lighter tone and volume. This sort of performance direction doesn't translate very well to MIDIs, though. Up to you to decide what to do.

I'm pretty sure beat 3 of m.1 is an E, not an F#
You could add more dynamic markings in here, since this piece is definitely not at a static volume. It can also help you bring out the mood changes in between sections
I don't think those are triplets, they sound more like dotted eighth - dotted eighth - eighth rhythms to me (notes aren't an even triplet). Be sure to beam that properly too
Not really a fan of the articulation you use there, especially with the repeated E in (oh no i just noticed there aren't any measure numbers) the penultimate section. To me, that implies more of a hammered attack, sharp and aggressive.