Oh wow, the interest here is pretty amazing, ahh ;w;
Thank you, guys! Never expected this kind of response, and so fast too. Dang, this is super awesome~
~
I'll just add on some extra information then! I don't have a limit for the number of tracks that can be featured, however I do like it to be around 10 tracks, just to keep it consistent. Also, there's a few extra standards that have to be met when sheets are recorded live, so I'll be reviewing those when I take a look through your sheets. I'll send these reviews by PM! ^^
But in case you're writing from scratch - and if you are, thank you so much - some extra guidelines:
> playability is key; cut on the layers.
I'd very strongly recommend you give your own sheets a try before sending it over, because with the final product being something live, it has to be...actually playable. I have not many qualms with arrangements that are faithful to the original and keep as many layers as possible, however those tend to be awkward to play and sometimes too impractical to consider for recording. Less is more here, and the live piano sound will do the rest of the work ^^
> please format it well ;w;
I've agreed with Lat that we'll be using the NSM guidelines for all sheets, with this being an NSM feature album. So please follow those guidelines - they're there for a reason and I cannot deny that the quality of sheets that come out of that system are superb.
> as a bonus, show off what the instrument can do! ^^
Things like trills, pedal patterns, flourishes if you're willing to figure out one yourself - these make timbres that are unique only to the piano, and any of these in a sheet makes the performer (and listener) really happy
Thank you, guys! Never expected this kind of response, and so fast too. Dang, this is super awesome~
~
I'll just add on some extra information then! I don't have a limit for the number of tracks that can be featured, however I do like it to be around 10 tracks, just to keep it consistent. Also, there's a few extra standards that have to be met when sheets are recorded live, so I'll be reviewing those when I take a look through your sheets. I'll send these reviews by PM! ^^
But in case you're writing from scratch - and if you are, thank you so much - some extra guidelines:
> playability is key; cut on the layers.
I'd very strongly recommend you give your own sheets a try before sending it over, because with the final product being something live, it has to be...actually playable. I have not many qualms with arrangements that are faithful to the original and keep as many layers as possible, however those tend to be awkward to play and sometimes too impractical to consider for recording. Less is more here, and the live piano sound will do the rest of the work ^^
> please format it well ;w;
I've agreed with Lat that we'll be using the NSM guidelines for all sheets, with this being an NSM feature album. So please follow those guidelines - they're there for a reason and I cannot deny that the quality of sheets that come out of that system are superb.
> as a bonus, show off what the instrument can do! ^^
Things like trills, pedal patterns, flourishes if you're willing to figure out one yourself - these make timbres that are unique only to the piano, and any of these in a sheet makes the performer (and listener) really happy