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« on: November 27, 2022, 08:03:19 PM »
Not sure how I feel about the E restrike on m3 RH. Since the ped marks are hidden, the performer may intuit that b4 is a new phrase and has a new ped. marking, but the string chord still continues so people familiar with the song might keep it depressed. I think it adds too much clutter to what should be a very simple piano lead-in to the rest of the piece. Just my opinion, though.
-RH m16 - I hear an A as a 3rd harmony on b4.5
-RH m19 - I hear b2.75 as an F#, not an A and b3.5 as an E, both above C5. I think keeping these notes in their original octave is more important than the 2nd layer, if that's why they were moved. Heck, if the countermelody needs to be left out to preserve the piano part, I think it's worth it.
-RH m21 b3 - I hear the D of the chord moving to a C# here
-RH m31 b3 - I hear a G above the D here, LH can pick up the notes in the rest of the chord
LH time - I realize some of this is pretty background, but I think it also adds some nice color to it
-m13 - I don't hear b4 being played by the piano, is this from the strings?
-m14 - I hear A->B on b2.75->3
-m18 - b3.75 - I hear a D immediately following the A. It's held until another A on b4.25. I think....
-m19 - I hear b1.25/1.5 as an A followed by a D rather than just an A on b1.5. The A is faint, but 1.5 is def. a D
-m25 - I 100% hear the low F restriking on b1.75 here, making that an octave
That's it! Love this song, btw. Great sheet.
