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Messages - Maelstrom

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used static's suggestion for the final measures.

the rest fixed and files were udpated

- The F#'s in the melody in m. 13 sound like they should be one octave lower and tie into the F# in m. 14
I think this was originally a misguided attempted to prevent the choir chords from being on top of the melody while staying in the same octave but I put them an octave lower in the next measure so it doesn't make any sense. Just moved it (and the 2nd layer) down an octave
other thing fixed too

Instead of writing a performance note for the bassline, just write it in a way that matches the groove of the piece:
[img img]
The high notes line up with the snare, and it cuts down on the amount of repeated notes by a bit. Just a thought there, you don't have to change it.
I'm torn on this, but I think I'll keep it as is, because it doesn't solve the issue. It's the 16th notes that are rough here, and if you're alternating fingers for those you don't want to start on a 5, it's easiest to start on a 1 or something.
Added the low F#, lemme know how the spacing looks now

files updated

Off-Topic / Re: The Introduction Thread
« on: April 15, 2021, 01:22:27 PM »
nah, it's fine

Site News / Re: NinSheetMusic's 17th Birthday!
« on: April 12, 2021, 07:00:37 PM »

I don't know what you're talking about

Wow, it's hard to believe that I've been doing this for so long. 7 years ago, to the day, I first posted this thread with my first (admittedly terrible) arrangement. Since then, a new submission system was introduced, the URL was changed, hit 3k (and 4K) sheets on the site, I became an updater, the entire undertale soundtrack was arranged and uploaded, the site admin changed, and the community transitioned away from the forums to discord. Times change, and so have I, moving from highschool, through a year abroad, through college, and now into graduate school. I can't say for certain how much time, if any, I'll still be able to give to the site as my projects ramp up. When a time comes where I'm no longer able to dedicate any of my time, I'll let you know. It's not that time yet, but it feels like it may be approaching despite my wishes. Until then, you may see more of me, you might not. Only time will tell.

If you can play the jumps as they're written just fine now, I see nothing wrong with them


m13 - I'd recommend leaving the D off of the first chord to give the same feeling of progressing inversions as the original.
The jump down in m71 seems a bit ... extreme. Maybe move the chord up an octave? It's worse than m20 because it's a 16th then a jump.
M23 and similar suffer from the same issue, but not as acutely. Now that I look about it, something being done for m29 would also help.
Big, fast jumps in m84 and similar too.
m99 too.
I think the b3 chord in m100/102 is C-D-E, with no G.

Any reason why the beams swap directions halfway through m91?

The performance note is nice, but a bit wordy. Could it be pared down some?

-LH m15 b4 - I hear an E here
-LH m17 b4 - I hear an F here
-RH m11 b3 - The 2nd layer chord I hear here is A+Bn

-I don't see an S for the D.S. ...

Rest looks good, great work.

discussed m27-28 over discord, updated
did the dynamic thing

Files updated

We generally just use dropbox or google drive. I guess some clone like to host stuff could also work if you don't want to make something directly linked to your email. It's what I use to host screenshots I upload with ShareX to post on the fourms.

m28 b1-2 is identical to m24 b1-2. I'm not totally sure about the rest of it. Looks maybe fine?
Go for the parentheses I guess. I might actually suggest putting it in the RH because holding that note with the RH while playing around it with the LH sounds kinda impossible.

Formatting stuff that can be fixed later
-Game name is too low below title
-Is title the right size
-Why is the arranger name a dynamic
-Beaming 16ths over rests (b2 of m13, for example) is a good idea and should be done.

Adjust this and I approve, pending the above fixes.

I think 9-10 was some weird holdover from .... something. Fixed
-I've tried to be super careful about difficulty in this song. I think it'd be easier with the 16th run left out. I don't believe simplifying it would help either, as the flute relies on that frantic energy to add something to the song.
-Yeah, I think your suggestion is good for bar 10. Makes it easier to see what's going on there.
-Actually, here I was following the pipe harmony, and it has that C-Db progression in m27-28
-Resized to 100% and fiddled with the measure layout. How does it look now?

Files updated, great feedback as always

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