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Messages - SlimyWyvern

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I did originally put an entire upper part in the right hand, but then I realized that the melody line of that section would be pretty much unplayable without a sostenuto pedal to hold down the low note. And yes it does sound very empty to me, but there wasn't much I could do without making it more complicated to play.

Got it, thanks! The new files should be good now.

This any better?

Just a quarter note instead of two eighths here, I think?
Ah sorry, I must have misunderstood what you said before. Anyway, I've updated it again so let's see if there's anything else.

I've updated the files and it should look okay now. Though I'm surprised you missed the "Intelligent Systens" I had written there (I fixed it, don't worry haha)

When I re-centered the staccatos, I had to adjust the ties a little bit so they wouldn't overlap and now they look a bit off, at least to me. There's probably a much better way to fix them so if there is, please let me know.

And as always, thanks again!

Thank you! And yep, those changes look pretty good now. That last tip was something I didn't know about, so I appreciate the help.

I should probably also thank Latios for this one since he let me use part of his unfinished arrangement for this. Hope I did a good job haha.

NSM Performance Videos / Re: SlimyWyvern's Performance Submissions
« on: August 27, 2021, 06:18:44 PM »
These next three recordings are all my own arrangements and done on my new piano, so I'll just post them all at once.

23. The Legend of Heroes: Trails of Cold Steel "Heartbreak"

24. The Legend of Heroes: Trails of Cold Steel "Wholehearted Feelings"

25. Final Fantasy IX "Rose of May"

NSM Performance Videos / Re: SlimyWyvern's Performance Submissions
« on: August 27, 2021, 06:11:05 PM »
22. Fire Emblem: Three Houses "Teatime Joy" by Latios212

Piano Arrangements / Re: SlimyWyvern's Arrangements
« on: August 26, 2021, 06:58:31 PM »
I've already submitted this but I thought I'd update my thread since it's been a while.

The Legend of Heroes: Trails in the Sky SC

Cool, I've updated the files again.

Oh that! Yes, I managed to fix that now. What do you think of the other suggestion I made?

- Make sure you re-beam beats 1-2 in m. 19-20.
Sorry, but is there something with those measures in particular? I'm not sure exactly what to "re-beam" here.

- You have an accent over a rest in m. 37... should it be under the RH chord?
Agh...yeah it just put it above the rest for some reason. Maybe I should get rid of the A on beat 1 and put the r.h. chords on the first layer instead? On the other hand, the accent isn't totally necessary, so I could remove it.

I'll wait for your response before I update it.

The other two things you said sound good as well.  I guess you're waiting for my response before updating the files.  I'll probably approve when you put them up.
Yes, of course, I've updated them with all the other small changes as well. Hope it looks okay now.

-I think it'd be clearer to write in the harmony in bars 30+ as a separate layer.  That way it would also be easier to see the chord changes every two bars (usually).
That was actually the first thing I did, but I thought the way the ties looked was a little messy. Especially in m. 40-44 where the second layer is kind of sandwiched between the octaves. And should I still keep it in a second layer on m.44? Because when I do, the whole notes cover up the dot on the dotted half notes.

-It might there a reason for the chord in bar 32 getting three harmony notes when the others don't?  For one, that chord is kind of awkward to play, but also for consistency it might be better to leave out that bottom D.  If you're worried about missing out the third of the chord, you could always put that D up the octave, but I think it's probably fine without it (the chord is fully outlined by the LH anyway).
Yeah, I knew this would be a hard chord to play, though I could just barely reach it even with my small hands so I thought maybe it was still doable. I think I'm going to leave the lower D out since it is already in the LH like you said.

-For consistency, I'd try to stick to the same voicings for the guitar strums/rolls in 37 and 46.  I think either bass + fifth + 3 notes in RH, or bass + 3 notes in RH would be best i.e. I'm suggesting you either take out the top A in the LH of 37 and add fifths to the LH of 46, or take out both the top A and the fifth in 37.
Good idea, I think I'll go with the former suggestion because I want the last two chords to sound a bit fuller. Thank you for the feedback!

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