Looks like this is coming along nicely! The sheet looks pretty great
- You could add the upper guitar voice on beat 3.5 of m2/6 if you want:
- Staccato in m4/8 should be flipped (staccatos should always be on the notehead side unless there's multiple layers present)
- Break the beam in m14 LH and m20/24 RH to match the other spots in the sheet
- I hear the power chord in m9/13 restruck on beat 2, like this:
- The chord in m11/15 RH comes in on the downbeat of those measures, not on beat 4.5 of the previous measures. You can put this in a separate layer, then hide the half rest on beat 3:
- m10/11 beat 3.5 sound like they have a grace note before
- m17 RH should be beamed across. Adding grace notes to groups of four 8th notes in Finale breaks the beam for some reason.
- m18-24: Why no marcatos in the RH? It's part of the same guitar part as the LH
- m26-33: Instead of writing those long crescendos (some of which are intersecting stems), consider hiding them (and hiding the forte in the middle) and putting poco a poco cresc. right after the mezzoforte. This is useful for long stretches of slow, but constant crescendo-ing.
- m32 RH beats 5-6 (in terms of quarter notes): The melody here actually goes Eb-F-Db-Bb, only in this measure. You could keep the extra F's on the downbeats to match m30, or pick different notes to avoid repeated Fs, up to you.
Get everything that you can, and I'll help out with the rest
- You could add the upper guitar voice on beat 3.5 of m2/6 if you want:
- Staccato in m4/8 should be flipped (staccatos should always be on the notehead side unless there's multiple layers present)
- Break the beam in m14 LH and m20/24 RH to match the other spots in the sheet
- I hear the power chord in m9/13 restruck on beat 2, like this:
- The chord in m11/15 RH comes in on the downbeat of those measures, not on beat 4.5 of the previous measures. You can put this in a separate layer, then hide the half rest on beat 3:
- m10/11 beat 3.5 sound like they have a grace note before
- m17 RH should be beamed across. Adding grace notes to groups of four 8th notes in Finale breaks the beam for some reason.
- m18-24: Why no marcatos in the RH? It's part of the same guitar part as the LH
- m26-33: Instead of writing those long crescendos (some of which are intersecting stems), consider hiding them (and hiding the forte in the middle) and putting poco a poco cresc. right after the mezzoforte. This is useful for long stretches of slow, but constant crescendo-ing.
- m32 RH beats 5-6 (in terms of quarter notes): The melody here actually goes Eb-F-Db-Bb, only in this measure. You could keep the extra F's on the downbeats to match m30, or pick different notes to avoid repeated Fs, up to you.
Get everything that you can, and I'll help out with the rest