All looks good to me. I think it was just 21-22 that were throwing me off for the rest of that section, it sounds good now.
Up-to-date news?! Preposterous!
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Show posts MenuQuote from: Latios212 on April 15, 2020, 05:38:56 PMGosh this past month has flown right by... sorry for the wait! Checking now.
Quote from: Latios212 on April 15, 2020, 05:38:56 PM- I don't remember how to do this, but for the cresc. text in m. 18-19 I'd recommend making it so that it breaks the barline instead of intersecting it.
- Really minor thing, but you might want to consider giving m. 50/52 a bit more space at the beginning so the 8va isn't right up against the left barline.
I think the pedal markings could be aligned better in a few places but overall sheet looks great.
Quote from: Latios212 on April 15, 2020, 05:38:56 PM- Personally, I'd make bars 27-34 A minor but you don't have to by any means if you think it's better this way
Quote from: NineLives on April 10, 2020, 07:00:03 PMThe reason why it's not a root E chord is because I want the keyboard part's chord since I feel it's pretty important chord and if I did the E chord, I would be able to to do that.
Quote from: NineLives on April 10, 2020, 07:00:03 PMI put the bottom G# from the chord you're wanting at the bottom because that's playable. I'm also wondering how the B on beat 3.5 would be played if beat 3 also had the G# attached to it unless we're saying it only plays for that half of a beat.
Quote from: NineLives on April 10, 2020, 07:00:03 PMWell, I did some digging and got a look at the original midi file from the creator's website, and found that what I was hearing was the E and bottom A for beat 2.5 and that the second and third chord in 32 are how I wrote them and not Bsus4. For the end of bar 32, would you be wanting more of the bass line in there if possible?
Quote from: LeviR.star on April 10, 2020, 01:05:46 PMLooks like the updaters are split on this one.
Quote from: LeviR.star on February 18, 2020, 08:19:38 AMIf I'm being honest, I don't see any reason to beam them like 6/8 if the whole song's going to be in simple meter. That'd be way too confusing for a performer to read, and a little pointless.
Quote from: mastersuperfan on March 29, 2020, 10:45:45 PM- It might be worth moving the Layer 1 eighth note on beat 1 of m6 a few pixels to the left. Not enough to de-align them significantly, but just so it's visibly clearer which note belongs to which layer.
Quote from: mastersuperfan on March 29, 2020, 10:45:45 PM- I'm not super fond of the major second on beat 1 of m31 RH. You might consider inverting the G down an octave, but that would result in a bigger chord that pianists without big hands would have to roll. Your call.
Quote from: Libera on March 26, 2020, 08:15:47 AM-Is there any reason not to make the first E chord in bars 1,3 etc be in root position? The bass part is playing an E there so I think that would make the most sense.
Quote from: NineLives on March 28, 2020, 08:41:23 PMOn measures 31 and 32, those are the chords I hear, though, to be honest, I might just be hearing them wrong, but listening to the section from both the source and the playback sound very much the same to me.
Quote from: Static on April 02, 2020, 09:38:36 PM- I lessened the amount of grace notes overall so the rhythm would be more clear when performing. I think grace notes have kind of a different feel on a piano compared to a wind instrument, or at least it seems that way to me sometimes. If you think I should add the extra notes anyway, I wouldn't be against it.
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