Dudmeander (v.)- to wander aimlessly into a new name.
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Show posts MenuQuote from: Libera on December 01, 2018, 12:43:46 PMYug_Guy
Quote from: LeviR.star on November 30, 2018, 07:44:38 PMThat bass line sure is killer.
Quote from: D3ath3657 on November 29, 2018, 08:32:06 PM(Also, the slur in measure 11 should start from the main note, not the grace note.)
Quote from: mastersuperfan on November 19, 2018, 07:31:06 PMNot sure about all the LH slurs in this sheet. Sometimes it does sound slurred (e.g. m5-8) but sometimes it doesn't (e.g. m1–4, or m41–m48 EDIT: in fact I'd probably put staccatos on beat 1 in m45–48, but not m41–44). I think it'd be best to go through and adjust the phrases according to the original track itself.
Quote from: Latios212 on November 26, 2018, 06:41:52 PMGood point. Here's something else to consider though - when I listened to the original I didn't even pick up on those notes until I listened closely to transcribe the song because they coincide with the accompaniment. To me it doesn't quiiiite feel like they belong as melody notes, and I think one could probably make the case that they're part of a separate line that include the E's from the other comment that I'm removing, as well as the first C# in the LH in 25 and such. Maybe it's just me though; I don't know if that made any sense, but that's why I had it as is. Also, my instinct when playing it (I did play test this one a few times) wanted to play the overlapped note with the left hand to complete the accompaniment pattern.
Thoughts? I think I could go either way. (Ugh trying to put the parentheses in the left hand right now is doing that thing where it isn't in the right vertical position. I'll come back to this later.) Another option might be to eliminate the parentheses and the right hand note entirely to simplify things a bit.
Quote from: D3ath3657 on November 21, 2018, 01:37:13 PMYou could fit the layer one rests in measures 4 and 8 closer to the notes, but in reality the chord is sustained through the whole measure, so you could use a whole note. Alternatively, you could remove the chords in those measures, so you'd no longer require two layers. If you do decide to keep two layers, make the layer two eighth rest visible under the chord on beat one. If you decide to remove the layer one chords, you could right layer two in bass clef and avoid using 8va lines.
Quote from: Yug_Guy on November 25, 2018, 02:32:50 PMWell, I originally had them as whole notes but was told to change them so idk what to say, man.
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