Quote from: XiaoMigros on February 03, 2024, 11:38:55 AM- Thanks for catching that. Fixed (was meant to be changed to an eighth / 16th rest).
- m18: beat 4 LH shouldn't be dotted
- m63-78: I feel like the RH could take over more of the LH arpeggios, since it has less to do and the pedal is sustained
- m98 & similar: beat 4.5 RH could use a staccato
- m151 & similar: I question the playability of the RH b2 E
- The low LH notes such as in m199 don't seem playable either
- Unsure how this would best be implemented tbh considering that the current highest lh note is an E3, which matches with layer 2's off beat, unless the idea would be for it to only change at b2-b8 for each 2m phrase? (since otherwise the rh gap is probably a bit large, going from E2 to E5 or E2 to B4). Or would it be a better idea to have the lh's ostinato also occur in the rh like how m79-94 does it?
- Fixed.
- The main goal is to mimic the synth string that fades in and appears most noticeable at b2. I guess considering the higher note usage of the RH starting at m95, to fix this issue (and subsequent repeated E5 instances or B4 instances) if you think it might be worthwhile to move it to b1 instead, let me know. Or if you have an alternative idea on how to keep it.
- Good catch, hm. What if in those sections, like I mentioned in the second bullet, the lh follows the ostinato structure of m79-94? Would that be a good way to address it? (keeping the E3 in the case of m199, but with it absent in b2 for the low note case).
Image example of what I mean:
Will update after we figure out the remaining bullet points.