Quote from: Bloop on April 25, 2023, 11:43:31 AMSorry for the wait on this! Nice job on imitating the panning and volume swell effects ^^-Done
-m9-16: I feel like I'm missing some of the minor second crunchiness in the R.H., maybe you could add the G's and F's back in beat 2, 2.5 and 3?
-m17-end of piece: Make sure to give the L.H. some time to jump back down to the bass notes at the end of each bar. It's probably best to end the harmony part in the top staff on beat 4.5, which gives the L.H. as much time to jump down as it has to jump up.
-m33-34: Are the accent marks in the R.H. needed? It seems to be playing in the same general vibe as before, where you already mentioned that the melody should stand out. Same kinda thing in m69 and m85
-m44: Are the Ab's in the L.H. imitating that swelling sound at the start of the measure? If so, that seems to be the same as in m43, so maybe it's more appropriate to just copy the second layer of the R.H. in that measure
-m45: Maybe you could move the high string voice in a separate layer, and maybe even move it down an octave if appropriate, so it doesn't get in the way of the piano melody. In places like m47-48, the player can easily mistake the high Db and C as the piano voice, when they're just the string additions.
-m77-84: Maybe you could add some more notes in the harmony part in the top staff? There's enough room and energy to fill it out a bit more, as it sounds a bit empty without the extra voices.
-Done for most, not all of the measures. Some I kept the upper LH for beat 4.5 in places where I feel it's more needed (usually if the lh wasn't an octave). Also included a 3rd to the lower LH for that 4.5 beat so it isn't completely silent and has a downwards transition.
-Probably fair, i'll keep the accents in the musx file but make them hidden (and remove the similes as well).
-If you mean the synth strings then yeah. And I hear what you hear, but I think it's a G for m43 not Ab like m44. Included, but also removed the m44 second layer because ties were conflicting with noteheads and I couldn't get a good tie position that seemed natural and not conflict with noteheads.
-Tried my best at this, but I think there might be some visual conflicts that I'll need help correcting.
-Honestly not sure what you mean by this point, the melody is a single note for this section and the lh treble section does include some pretty weird gaps (the C/B for example).
Updated