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Messages - NineLives

#16
The sheet has been updated with all of the above addressed. :)
#17
My next claim will be the collection of boss themes. Trying to leave a few of the singular sheets for any others who may be interested.
#18
The idea for this arrangement was to start off simple and get a bit more complicated per section before reverting back during the solo-esque part at the end.
#19
Quote from: XiaoMigros on February 26, 2024, 08:39:21 AMcould you perhaps do 4-5-4 systems per page instead of 5-5-3?
Done! I hope the spacing on the first page is okay. I was trying to even it out with the other pages.
#20
I recently purchased a CD with a few SNES tracks on it. Through it, I found a new favorite that I had to put to paper. Enjoy!

SimCity (SNES)
"Town" | PDF | MIDI | Source
#21
Quote from: XiaoMigros on February 13, 2024, 01:15:24 PMI think the few measures following m78 could benefit from it- the timpani is the only instrument here in the LH except for the brass hits, adding it would help make it stand out from m70-77.
While I agree it'd make it stand out, I can't find a way to write it that'd make it sound good when mixed with what's already written. I've tried using the actual notes the timpani plays and I've tried doing what I did for the introductory measures with the one note being played to the timpani's rhythm. Nothing is agreeing with me on that front.
As an alternative, I thought of doing something similar to what we did in measures 66 through 69 and turning the lone bass notes into octaves. That way it still stands out to a degree. I've updated the sheet with that in mind.
#23
I believe I got everything up top.
Quote from: Latios212 on February 05, 2024, 05:53:56 PM- I missed this before, but the Fn in the left hand should actually be sharp as well
I assume you meant measure 11 for this, but let me know if I got it wrong.
Quote from: Latios212 on February 05, 2024, 05:53:56 PMLastly, this is kind of annoying, but it sounds like in m. 8, the second repetition only, the bass plays G# on beat 2.5 instead of G (similar to m. 4). I'd maybe suggest verifying another source as this is a bit strange, but if it is the case it might be best to just write the whole thing out with no repeats. :/
That is annoying, but easily fixable.
#24
I've gotten all the simple stuff out of the way, I believe. Correct me if I missed something.
Quote from: XiaoMigros on February 03, 2024, 10:42:46 AM
  • I feel like this arrangement lacks the intensity of the original in some places. I think to combat this you could try to include more of the timpani, especially in places where there's not much going on in the bass otherwise.
I'd agree that the first few measures felt somewhat empty, so I tried implementing the rhythm of the timpani to the left hand a little. I still wanted the notes held to an extent.
Beyond the introductory measures, I'm personally pretty happy with how they are currently. I believe measures 22 through 29 and similar make a good contrast to the more busy rhythms that follow and measures 70 through 86 benefit from the less busy left hand because it makes the accented strikes sound more powerful.
Quote from: XiaoMigros on February 03, 2024, 10:42:46 AM
  • m50: Thoughts on perhaps changing the time signature here? The current groupings make this part more difficult to read.
I think it wouldn't be necessary, given it has the same rhythm mixed in with the triplets that jump in on measure 58. Not to mention the timpani plays a similar rhythm in the earlier measures, including the introductory section I mentioned earlier. I feel if we really wanted to change the time signature, I'd have to change it for the entire piece.
#25
I believe everything above has been addressed. I changed the key signature last, so let me know if that screwed up any of the previously established accidentals and I'll fix those real quick.
#26
Quote from: XiaoMigros on February 03, 2024, 11:24:14 AM
  • m6 & 10: The RH note sound sustained to me, no rests. m11 beat 1 does sound like a rest though, for the record
The notes sound closer to portato to me. I think the organ holds longer than the brass, which may have confused me initially. I put a few tenuto markings on them to try and illustrate how they're played. Everything else has been changed accordingly.
#27
Quote from: Latios212 on January 29, 2024, 08:49:17 PMYou did mention it in your original post, haha :P it's updated now!
Oops! Silly me! ;D
All the files are updated with the above suggestions.
#28
Forgot to mention the title should be changed to "Waluigi Stadium & Wario Colosseum," since it's for both courses.
#29
The title will have to change to have both track names included.
#30
The files have been updated and should be ready to go! :)