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Messages - BlueKirby

Pages: 1 [2] 3 4 ... 10
16
Site News / Re: Space Travel! (Update, Thursday 26th of May 2022)
« on: May 26, 2022, 11:49:38 PM »
i am quite pleased by the amount of kirby and xeno music there is in this update, especially with more rainbow curse and blade2 music

17
hey look! a sheet of something that isn't touhou/len'en/kirby! bet ya thought that would never happen!

[Higurashi no Naku Koro ni Kai] Cradle Song: Listen on MuseScore | Original

18
Forum Games / Re: The NSM Guess-That-Melody Quiz!
« on: May 13, 2022, 08:43:19 PM »
hi i am back with another melody quiz but unfortunately i went insane in between this one and the last one

melody quiz 6: blirby insanity arc

here be the stuff, and as always, i'm willing to give hints

[Folder (I am so sorry about the biblically accurate .mus file)]
musescore listening version

19
Submission Archive / Re: [PC] Deltarune - "Scarlet Forest" by Bloop
« on: April 29, 2022, 05:31:57 PM »



there's no tempo marking on the pdf nor mus





i also feel some of the jumps are (like here in m.41-42) are way too big to be playable.


hopefully i did feedback good this is my first time

20
Site News / Re: Update, Thursday 28th of April 2022
« on: April 28, 2022, 11:19:17 PM »
the best song in undertale is back babey!!!

also pog forgotten land already

21
Hey, sorry for the wait on this one! I'll start with note accuracy stuff as well (I'll be using the current incorrect measure numbers as Libera did in the previous post):

- m2, 3, 4, etc. RH beat 4.5: Like Libera, I hear these notes longer/tied over to beat 1 of the following measure. To me, it sounds like there's almost no space in between those notes.

- m5 RH beat 3: In the lower layer, the C should be D.

- m6 RH beat 1: In the lower layer, I'd recommend just changing this to an 8th note (but keep it in the lower layer). That dyad is repeated several times in the same measure, so it's impossible to really hold it down in the middle of all that. In a performance setting, it would sound the same whether or not it was written as a whole note, but writing it as an 8th is less confusing.

- m9 LH beats 1-2: Bass plays F here instead of E.

- m10 LH should look just like m9 after the above change is implemented.

- m10 RH beat 4.75: The last 16th note here should be C instead of F.

- m12 beat 4: In both the RH and LH, this last quarter note is played long/tenuto instead of short.

- m16 LH beat 4: Bass stays on G here.

- m18 LH beat 4: Bass moves to F here.

- m21-36: I hear this section harmonized a bit differently, like this:
m21-28

(m29-36 is the same, just transposed)
[close]

- m24/28/32/36 LH: The bass plays a D/D# (respectively) here, it's a Gm/G#m chord but in 2nd inversion.

- m37-39, 41-43 RH: There are only two voices in these measures (just the bottom and top voices you currently have).

- m39/43 RH beat 4.5: Lower voice should be C instead of D.

- m40/44 RH beat 4: Lower voice should be C instead of D.

- m45-50 is harmonized exactly like m37-43.


Lmk if you have any questions

the j


anyways fixed as much of this as i could (did result in the text overlapping horribly, need help fixing that :pensive:), but...

Quote
- m44 RH beat 4.5: This dyad should be Bb (below staff) and G (middle of staff).

- m44 RH: This might look better in bass clef, at least up until beat 4.5.

didn't really understand this or how to do it. i looked around and couldn't find anything, and the first one i didn't really understand what that means (oops, small brain moment), so if i could have a little help with that please?

22
I think this could be improved on a bit further - the distribution of space is currently more squished on the third and fourth systems. I'd suggest 4-5-5-5-5 to make it more even. You lose the neat system breaks between sections, but this piece is straightforward enough I don't think that's a big deal... (let me know if you want help editing it)
Spoiler
[close]

- The composer/arranger text are too close

- I would suggest removing the top note for each chord in m. 1-8 because of the overlap with the right hand.

- The melody actually continues playing G# on beat 1 of m. 2/4/6. There's a bit of dissonance in the original between the melody G# and the A in the bass

- The second and third melody notes in m. 8 are B# and C# instead of C# and D#.

I'll come back for the rest (m. 9-end) afterwards to avoid putting too much in one post :P

for the first one, can't really fix that. Notepad Moment:tm:

anyways fixed (or at least tried to), but for the last one i actually realized that its slightly different from what you said and fixed it (the note on beat 2.5 is D#)

23
Request / [PC] Higurashi: When they Cry - "Being"
« on: April 15, 2022, 12:57:12 AM »

favorite song from recent hyperfixation go brrrrrrrr. anyways yeah a part of me wants to learn this but my ears are not good enough to transcribe it on my own, at least now.

24
Off-Topic / Re: The Post Your Thoughts of the Moment Thread 2
« on: April 12, 2022, 05:11:23 PM »
what if im both

25
Site News / Re: NinSheetMusic's 18th Birthday!!
« on: April 11, 2022, 05:30:37 PM »
God, I can't believe it's been around five years since I discovered this site. I was an innocent little one, thinking that I had to hide VGM from my parents if it was from a game I didn't play. I don't remember how I discovered this site, but I'm ever thankful I did.

Because I joined the Discord server for this site, I've ended up meeting so many wonderful people not only in the NSM community, but many others I ended up joining as well. This site has been a huge inspiration for me for a while now, and I'm so genuinely glad I found it.

Here's to hopefully many more years of funny sheet musics, y'all.

26
what a coincidence, i was playing kirby air ride earlier for the first time in a few months.

also damn the bassline sounds sick on piano, nice job

27
This looks really good! Here's my two cents on this:
  • Have you tried experimenting with pedal use? Not only would it add more depth to the sheet but it would also help imitate the synths better, and it would be possible to play the F#6 in m23 on beat 1 rather than beat 5.
  • Speaking of m23, I think the F#6 would be better written in another layer. I also question the E# in the LH, it seems a bit odd to suddenly have a triad there when the rest of the time it doesn't play any.
  • I'd also remove the E#4 in m24, I can't hear it being played in the original, and it would provide more coherence with the F#6 played in the measure prior.
  • The rest of the stuff is Finale-specific, I'm not sure how easy it is to solve in notepad so me or an updater could sort it out for you once everything else is ready. Just some stuff like system spacing, text placement and other minor adjustments. If it's possible in notepad, I'd revise your system spacing. If you want to keep everything on one page, I'd recommend 4-4-6-6-4 measures per system, from top to bottom, rather than the 4-4-6-7-3 that you have now. Makes the sheet look more even :)
..aand that's it from me! I like how you simulated the snare hits by adding more detailed chords to your sheet. Maybe they could be used to fill the empty space where there are sustained whole notes? Up to you ;D

fixed/changed/whatevered pretty much all of this. i think.

28

this one's nice and short, figured i could get another arrangement in while the other one waits in limbo (dw im not mad or even remotely upset at all, take y'alls' time please!!)

29
i woke up and chose arranging.

also i hate april fool's day so this is legit.

[Legacy of Lunatic Kingdom] The Moon as Seen from the Shrine: Listen on MuseScore | Original

30
Site News / Re: Update, Thursday 31st of March 2022
« on: March 31, 2022, 05:06:57 AM »
megalovania's back on the table boys

time for it to take top spots once again

also star allies, xenoblade, and super circuit megapog

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