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NinSheetMusic is 17 years old!

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 1 
 on: Today at 12:20:22 AM 
Started by Zeta - Last post by Zeta
This submission has been accepted by mastersuperfan.

~Zeta, your friendly NSM-Bot

 2 
 on: Today at 12:20:18 AM 
Started by Zeta - Last post by mastersuperfan
booyah

 3 
 on: Today at 12:06:23 AM 
Started by Zeta - Last post by Libera
Wondering if m24 RH warrants a roll on those notes- it sounded to me like there could be one there.

At m31, while there isn't a lot left of the song, I don't think it'd hurt to be faithful to the song and include a rit. starting at the eighth notes here.

Sure.

At the fermatas, do you see any potential usage for some performance text saying something to the effect of "let the sound carry" or "fade out"?  I know fade out is probably not the right term and con pedale is already in the beginning, so maybe this is a redundant point.

Hmm, I'm not really sure this makes sense.  I think it's going to happen naturally and there's not much the performer can do besides the fermata which is already present.  I think I'll just leave it.



Thanks for having a look.  Files updated.

 4 
 on: September 17, 2021, 10:23:31 PM 
Started by Zeta - Last post by Kricketune54
This is really quite beautiful- and quite straight forward haha.

Wondering if m24 RH warrants a roll on those notes- it sounded to me like there could be one there.

At m31, while there isn't a lot left of the song, I don't think it'd hurt to be faithful to the song and include a rit. starting at the eighth notes here.

At the fermatas, do you see any potential usage for some performance text saying something to the effect of "let the sound carry" or "fade out"?  I know fade out is probably not the right term and con pedale is already in the beginning, so maybe this is a redundant point.

 5 
 on: September 17, 2021, 09:38:11 PM 
Started by Zeta - Last post by Static
Those changes have been made

 6 
 on: September 17, 2021, 07:08:24 PM 
Started by Zeta - Last post by Libera
The bass actually does play G# there, but it's hard to tell with all the layers present. Here's that bassline isolated, starting at m516.

We talked about this on discord; I think we agreed they should be Gns.

And everything else should be fixed, lmk if I missed anything

I think it was because I actually forgot to put it in my first post (a copy-paste error I think), but this:

-Courtesy accidentals on the Ebs in bars 434/442 etc. ?  You have them in the left hand at those points.

Everything else looks good.

 7 
 on: September 17, 2021, 06:58:37 PM 
Started by Zeta - Last post by Libera
Whoops, fixed.

 8 
 on: September 17, 2021, 06:52:54 PM 
Started by Zeta - Last post by Zeta
This submission has been accepted by Bloop.

~Zeta, your friendly NSM-Bot

 9 
 on: September 17, 2021, 06:52:38 PM 
Started by Zeta - Last post by Bloop
Great! Edited the midi file and accepting this submission!

 10 
 on: September 17, 2021, 06:23:28 PM 
Started by Zeta - Last post by PlayfulPiano
Nice! The sheet is all good now! There's something strange with the midi, however. In the second part with the arpeggio's (from 3:51 on), the dynamics don't seem to restart after two bars, so everything is very quiet very quickly (at least, that's how it sounds in windows media player). After some studying, it's probably because of the hidden dynamics: the end-dynamics are placed at the very end of the bar and all hidden descrendos start at the very start and end at the very end. I believe those override the dynamic marking at the start at the bar, which means the piece only gets quieter and quieter. I took the liberty to move all of those in by a bit, and it seems to have worked. There may still be some variance in if the decresendo works properly or not, but at least everything is hearable. I can update the file for you, but I just wanted to be sure if you're okay with it too:
[MID]
Yeah that's fine Bloop.

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