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 on: Today at 12:02:43 AM 
Started by Yug_Guy - Last post by Yug_Guy
I figured this one would work well on piano. It does:

F-Zero X [N64]
"All Need is 30 Deaths"MUSMUSXMIDIPDFOriginalNEW!!

Gotta love that Engrish.

 on: October 20, 2018, 11:11:19 PM 
Started by Zeta - Last post by Greg
Alright, fixed. I ended up changing the time signature to 4/4, which automatically fixes all the beaming issues. Honestly not sure why I had it in cut time to begin with, I don't think it makes a lot of sense.

 on: October 20, 2018, 10:43:23 PM 
Started by Zeta - Last post by Latios212
Thanks for submitting this one, it's really needed ;D Really solid work, needs a bit of polish here and there. Might not be able to go through the whole thing now, but here's a start for some presentational details.


- Try this beaming instead. When there are 16th note rhythms each of the four quarter note beats should be beamed separately. There are other places as well like m. 23-25, 35-37 where you should break the beaming by beat when there are 16th rhythms, and measures like 59 with tuplets (more on those later).
- In measure 3, use a quarter rest since the rest is on beat 3 (as opposed to earlier in the measure). Use this elsewhere you have the same rhythm in the left hand.
- Use double barlines at key changes.
- There are some places where you can condense some note values too. Measure 8 beat 3 you can make a dotted quarter. Instead of using sextuplets in m. 55 and similar, use two triplets - quarter+eighth and three eighths. You also don't need to use triplets in places like m. 61 beat 3 where it's just one note.

I'll be back for more at a later time :J

 on: October 20, 2018, 10:26:15 PM 
Started by Zeta - Last post by Libera

-I'm not hearing the A Ab G line in bar 1 that you've written in.
-In bar 2 on the dotted minim there should be a Cn and a Gb and no Gn.
-I'm also not convinced on the rhythm you've written out here.  I can give suggestions if you'd like, but I don't think the way it's currently written is working.

Ink Another Day

Main thing here is the chords.  I'm not sure that alternating D major C# minor is what's going on here.  I'd take another look at them.

I'll have another check when you've updated the files.

 on: October 20, 2018, 09:59:20 PM 
Started by Zeta - Last post by Latios212

 on: October 20, 2018, 09:55:22 PM 
Started by Zeta - Last post by Libera
Sure.  Looks good.

 on: October 20, 2018, 09:53:36 PM 
Started by Zeta - Last post by Latios212
I figured it would be a pretty big jump in difficulty to have the left hand jump up to play 16ths and then back down again, especially considering nothing else in this song is particularly fast or tricky. Just wanted to keep this one simple; I feel the continuous 16th run in the RH is enough work.

Put in that D resolution in m. 10. Thanks!

 on: October 20, 2018, 09:48:21 PM 
Started by Zeta - Last post by Libera
I did the things.  Only thing worth mentioning is that in bar 10 it was a little more complicated than you said but it should be right now.

 on: October 20, 2018, 09:30:03 PM 
Started by Zeta - Last post by Latios212
Alright, checking now...

- Most of the rests look fine, but I think m. 1 is the one place where it'd be nice to have the quarter rest on the staff, as the lower layer is entirely below the staff.
- Move the G/F in m. 18 beat 2 a bit further apart.
- I'm hearing beat 4 RH of m. 10 as an A.
- The mf in m. 16 wants a bit more space :P
- Measure 20 is missing a harmony F under the C.
- I'd suggest moving the eighth notes in m. 22 to the upper staff since that first C needs to be played by the RH anyway.
- In m. 31 the high F on beat 2 ascends to a D, not descends to one.
- You could move the beginning of the m. 34 system to the right some to make the measure spacing more consistent with the ones below and prevent the performance note from running outside the margins.
- Half rest is low in m. 45, and notes are flipped in m. 55.
- If the last section is intended to be the voice line, the note in m. 56 should tie over into the next measure (half note, approximately).

 on: October 20, 2018, 09:29:31 PM 
Started by Zeta - Last post by Libera
Just a few things here from me.

-In bar 1 the semiquaver line is in parallel sixths in the original.  The left hand isn't really doing anything for most of that bar so maybe you could add it in?  Pedal to sustain the chord on beat 1 and then have the left hand join in on beat 2 maybe?  Just a thought anyway, might help with making the transition a bit flashier.
-The Eb in bar 9 resolves down to a D in the next bar which in my opinion should probably be kept in.  Feels weird to leave that note hanging to me.

That's all I've got; nice work.

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