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This submission has been accepted by Maelstrom.

~Zeta, your friendly NSM-Bot

nice

Astigmatism (n.) - the belief that all text should be enlarged so that I can read it without having to wear glasses or contacts goddamnit, because they're a nuisance and I matter more than anyone else! Oh,  and it has something to do practicality or something.

Very nice work you guys, this sheet is looking great. Just a last few things from me:

- At the beginning, I'd suggest putting the con pedale to the left of or below the 8b. Seems kind of awkward for it to push the whole dashed line bracket down.
- Left hand of 18, check it again. I'm hearing octaves G-D-G-G-G-G, not G-D-D-G----.
- Consider uncluttering m. 20 by moving the incalzando above the staff, or the cresc. to the next measure, or something
- Check the enharmonic spellings in the m. 20-30 section. Some of these definitely aren't right (ex. Cb against C in m. 27)
- I'd suggest moving the caesura more to the right in m. 31. It's practically right on top of the augmentation dots. Move the music away from the header a bit, too.
- Last measure RH should be an octave higher.

Right so a couple of things.  The left hand was fine since it's pretty up to interpretation anyway.  The biggest problem is that you're missing two complete bars in between 51-52.  (not much happens in them so it shouldn't be hard to fix.)

The other main thing was the string solo part, where some of it I feel is a little inaccurate (although I admit it's a pain to hear.)  These points are bars 40-41 and 45-46.  I've sent you pictures on discord with what I think is the correct part.  Latios shows me how much I know.

Bars 40-41.

Bars 45-46.



Other than that I'm happy with it.

This submission has been accepted by Latios212.

~Zeta, your friendly NSM-Bot

Just added a couple notes to the tops of the chords in m. 29-30 for you. Good to go.

- simile text in 23 really lose to notes

Notes:
simile text will now win against notes

Fixed.
Notes:
simile text will now win against notes
the end was intentional.

Wow, weird string (violin?) part. Sheet looks pretty neat. Mostly visual things:
- Move everything down on page 2-4 from the page headers
- simile text in 23 really lose to notes
- In 24/32 would recommend flipping staccatos normally
- m. 57/61/65 beat 4 hearing G not A in the RH
- Narrow the cresc. a bit at the end of m. 68.
- Are you sure you want the left hand of the last section to contain such small intervals? It's an octave lower and would probably sound really muddy.