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QuoteI'm hearing more/different notes for all the chords:Ok, I made these changes! I always try to listen closely to the chords when writing arrangements, but it's still very difficult for me to find all the exact notes...
- m1 An below the En
- m5 The entire chord an octave above with an En on top (it should stay in the same octave as the previous one)
- m9 En above the Bn
- m13 Cn below the Gn
m17 rh b1 - This pad instrument is playing chords and I'm hearing a E minor. The melody doesn't seem to play the Cn here.
m19 rh b1 - Hearing a Cmaj7 chord.
m23 rh b1 - I'm hearing an An instead of Gn and En below that.
QuoteAny particular reason the lh in m17 to the end is not down an octave like the rest?I made it that way simply because I thought it would have been too low otherwise.
Quote from: Metamyrrh on March 29, 2025, 06:40:41 PMThis is such a soothing piece!I know right? Even in just 9 bars it has so much of that Mitsuda feeling to it.
Quote from: Metamyrrh on March 29, 2025, 06:40:41 PMIn beat 4 of measure 4, I hear a G in the right hand rather than an E.Did you mean measure 3? If so, I also hear G there, fixed.
Quote from: Metamyrrh on March 29, 2025, 06:40:41 PMNot a suggested change, just something I'm curious about: in measures 5 and 7, why did you use grace notes rather than a mordent?Good question; grace notes without a slash are meant to be played before the beat rather than on the beat like a mordent would. In the original track, the Eb and F are played before the next Eb in both RH and LH are played together. Hopefully that sort of makes sense
Quote from: goldenscruff on March 05, 2025, 11:39:19 PMm182 & m190 & 198 I'm not hearing the GnI still hear those spots as I have written. It's a bit harder to hear under the other instruments in m190/198 but it's the exact same string part as m177-184.
m187 & 195 I'm hearing Cn with the Gn, this might be undertones
m191 & 199 Again I can hear a Cn
m192 & m200 I don't hear an F# here.
m199 I don't hear a Bb
Quote from: goldenscruff on March 05, 2025, 11:39:19 PMm209-216 What are your thought's on dropping some of the LH notes to add in some of the horns. I think that would add more to the build up.The driving pedal bass is a large part of what gives m177-216 its sense of tension, which is then released in m217. I'd rather prioritize that than the harmony.
Quote from: goldenscruff on March 05, 2025, 11:39:19 PMm229 I think I hear the Dn written on b3.25 come in before the Horns. Could just be really slow attack of the hornsNo, that sounds right to me. The horns come in right on beat 4, and in m221 too. Fixed that, good catch.
Quote from: goldenscruff on March 05, 2025, 11:39:19 PMm247 I'm hearing a Gn in the LH not Fn. I also think the roll down to the bottom Cn is also too much to play at tempo.The Fn is a little tough to hear but I'm still hearing it there as part of that C7sus4, same as m239. Adjusted the LH to make it a bit more manageable.
Quote from: goldenscruff on March 05, 2025, 11:39:19 PMm290-291 I'm hearing some significant add2 (En) in this chord.Me too, added.
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