Feedback time
-I don't hear the grace not in m24 or m28.
-m49-54 RH - I don't hear the horn restriking on beats 1 or 2. I think a whole note would be better here. Beats 3-4 in each measure are fine
-m69 RH b1.5 - I hear a Dn here instead of a b. Also in every other similar measure. (Eb in m81/85)
-m66 and similar - when it goes down to a D#M chord on beat 4 and in similar places, the 3rd 16th in that run is a Dn, not a D#
-m67 LH b4 - chord here is actually just a DM chord, so no sharps.
-m69 LH b2 - chord here is a D#M, looks just like m66 b4 with the Dn on top
These chord changes are present in the remainder of the piece.
I am not the accidental expert but I have a few suggestions.
-m24 and similar - spell all Gbs as F#s in the LH like you have in the RH.
-It's really bothering me how b3-4 of m68 are spelled like F# major in the RH and Gb major in the LH. Not sure of the best way to easily fix it aside from maybe changing the LH chord on b3.
This occurs a bunch of other places.
The rest is easily sightreadable, at least.
Is it possible to incorporate the ascending and descending bass voice in m45-54? Like modulating the off beats instead of having them hit the same note all the time?
Overall, you did a pretty fantastic job with this.
I have a few concerns with the bassline of the final section, mostly the parts at the end of m73, 81, etc. The repeated 16ths make this section pretty tricky to play. I only bring this up because this is by far the hardest part to play of the entire piece and simplifying this one section would make it considerably easier to play. I don't really have any suggestions off the top of my head for you, unfortunately. Actually, I don't hear the 4th 16th of most of those runs. Simply making the 3rd one into an 8th would make it considerably easier to play.