I've got tens of compositions (and transcriptions and arrangements) stocked up, so I'll slowly be publishing them on Musescore. You can listen to my works on Musescore's website (the audio will not be mastered there). I will not be publishing my pieces in order of composition. If enough of you request downloadable files, I'll start stocking up my Google Drive.
Very nearly all my pieces are for solo piano--it's at the point where I have piano versions of songs I eventually want to transcribe for bands.
Compositions From Sept. 4, 2022 or Laterhttps://www.ninsheetmusic.org/forum/index.php?topic=8501.msg431228#msg431228Compositions on Musescorehttps://musescore.com/user/9996931/sets/2213611ClassicalMarche-SonateIt's a march, complete with repeats. Wait...no...why isn't it going into a trio? No! Noooooo! It's actually a sonata-allegro! ...That really sounds like a march.
Little MarchSwitch from Marche-Sonate at the correct time to this song, then back, and--all of a sudden--the combined songs really are a march!
Scherzo InfernaleA blazing fast standalone scherzo and trio, this is rather heavily influenced by Alkan's Scherzo Diabolico.
Out of Strife (Comes Hope)As seen in its subtitle, this march is strongly influenced by Elgar's Pomp and Circumstance marches, particularly his 3rd such march. But unlike that march, Out of Strife (Comes Hope) ends victoriously!
Despite being subtitled as a piano solo version, no other arrangements of this piece currently exist.
Fire and Ice PolkaComposed in the style of the Strauss family's polka(-schnell)s, this polka(-schnell) aims to be a crowd-pleaser.
Trumpet Exercise...This is more here for the sake of completion than anything, but this exercise to improve trumpet embouchure (without changing fingering) is one of my first attempts to write for instruments other than the piano.
Bad-Tempered DancesOne of my earlier pieces, this bad-tempered rondo contains a series of dances.
Bell CarolNamed because of its resemblance to fast renditions of Carol of the Bells, this is one of the earliest pieces I composed. The central section is significantly slower than the flanking sections, though.
Piano Sonata in D Minor ("Piecemeal")Spoiler
Movement 1: InexorableThe weightiest of the four movements and the latest to be composed, this sonata-allegro is more than 9 minutes long counting repeats. It is stern and, while turning towards happiness, inexorably marches to its doom.
Movement 2: Rondo OscuroThe first movement to be composed--and the only one I ever publicly performed--this rondo emerges from the shadows with a simple first theme and explores various other moods.
Movement 3This is a simple, old-fashioned minuet with a rollicking trio.
Movement 4: TributeThis sonata-allegro is actually a tribute to Super Paper Mario. While not actually using any of its music (as I had not listened to the soundtrack at the time), it contains leitmotifs for several important characters and roughly outlines the plot of the game.
This colourful piano etude depicts tumultuously flying over crashing waves. Practice your arpeggios and chords at once with this etude!
Sonatina in C Major ("Pastorale")Another of my earliest pieces, this is soothing and cheerful fare.
Sonatina in F Major ("Classical")If you're into thoroughly classical music, this typical sonata-allegro is for you. This is one of my earlier works.
Piano Sonata in E Minor ("Scherzando") (Unfinished)Spoiler
Movement 1This is an aggressive, scherzo-like sonata-allegro. It starts with a jolt to attention--stark chords, followed by a daring flurry of ascending notes. Perhaps its second theme group, which initially appears in G major, is the call of the Wild Hunt. The Wild Hunt takes an even darker turn by the end of this piece.
Movement 3This scherzo and trio is affable and genial.
Spoiler
Movement 2: Hidden RoyalWith many mood changes, this sonata-allegro depicts the story of a prince who attempts to explore his kingdom incognito, only to see his royal status exposed in front of everyone, including the lover he had met on one of his incognito trips. Eventually, he accepts both his royal duties and his strong desire for freedom (the reason he tried exploring incognito in the first place).
Movement 3: ChargersDepicting the wild rides of a knight and his companion fairy, this is a rough scherzo with a sprightly trio.
This experimental piece depicts children singing (badly) as they play on the monkey bars.
Piano Sonata in F Major ("Cosmos") (Unfinished)Spoiler
Movement 1: SunThis enthusiastic sonata-allegro depicts the sun.
Movement 2: MoonThis alien-sounding ternary-form slow movement depicts the moon.
Movement 3: StarsThis fleet-footed scherzo and double trio depicts the stars.
This is a stark and tortured funeral march with a lyrical, slightly troubled trio.
Angry DanceMore of a dance excerpt than anything else, this angry dance is the result of accepting a challenge to compose something with exactly 100 notes in it.
Song Without Words No. 1Like Felix Mendelssohn's Songs Without Words, this is a short, song-like piano piece. Its genial melodies are reminiscent of Christmas carols.
King ThrushbeardComposed for a contest in
https://musescore.com/groups/soloinstrumentchampionships/discuss/2653921, this piece for solo bass clarinet depicts the Brothers Grimm fairy tale of King Thrushbeard.
Tarantella No. 1 in C MinorThis snappy tarantella in sonata-rondo form constantly plays with its sense of key.
March of the EmpireDepicting an evil empire and a rebel force that hopes to beat it, this march boasts impressive power and emotional range, but it should be within reach of intermediate to early advanced pianists.
The AbyssYet another of my earliest pieces, this brief tone poem depicts the calm of the deep sea.
A Sonata-Allegro in Under 2 MinutesExactly as advertised, this especially swift and terse piece fits an entire sonata-allegro in less than 2 minutes, including repeats.
Rocket Piece No. 1One of my earliest pieces, this sonatina starts off with a Mannheim rocket theme and is paired with Rocket Piece No. 2.
Rocket Piece No. 2One of my earliest pieces, this rondo starts off with a Mannheim rocket theme and is paired with Rocket Piece No. 1.
Etude-Coronation March in G MajorThis coronation march of a piano etude focuses on beat subdivision.
Going Distances PolkaThis quick, snappy polka covers a lot of ground in less than 2 minutes.
On This Side of Death's ShoresThis is the result of accepting a challenge to write a non-WIP piece in 10 minutes or less, this time with a custom soundfont. This piece sounds particularly good on mellow pianos and worse on bright pianos.
Etude in G Minor ("Arpeggio")One of my earlier works, this etude helps you practice arpeggios and can be played in a wide variety of tempos.
Impromptu-Scherzo in G MinorThis vaguely improvisatory scherzo-with-the-wrong-meter conjures some highly charged emotions.
Synth ScherzandoThis is the result of accepting a challenge to write a non-WIP 100-bar-long piece in 10 minutes or less. Despite the form and instrumentation, this still uses several of the melodic conventions of classical music, so I've put it here.
Furiant No. 1 in G MinorJust like other furiants, this is a fiery 3/4 dance that uses hemiolas liberally.
Sonata-Allegro in F Minor ("Complexity Within")Nicknamed "Complexity Within" because of its central scherzo and trio, this is a sonata-allegro of unusual scale.
March in F MajorThis optimistic march happily rolls along into a sunny future.
Puck, HobgoblinThis scherzino combines a slightly lumbering outer section with a lyrical, graceful trio.
Tarantella No. 2 in E MinorAnother snappy tarantella, this one's melody is one long running improvisation.
Prelude in C MajorThis cheery prelude zips by with its many arpeggiated figures.
Waltz No. 1 in B MinorAt turns bold and melancholy, this is an emotional, many-sectioned waltz.
Deceptive Little BagatelleThis short ternary-form piece for woodwind quartet constantly dashes expectations by using exclusively deceptive and imperfect cadences until the last bar.
Tango No. 1 in G MinorThis tango is at turns imperious and wistful, a worthy challenge for bass clarinet players.
Song on "Hippo's Hope"Based on Shel Silverstein's poem, "Hippo's Hope", this song setting of sorts covers all 3 of that poem's endings.
Etude in C Minor ("Wilde Jagd")Reminiscent of the folkloric Wild Hunt, complete with starting hunting call, this etude helps you hone your triplets.
Scherzo OscuroAnother fast standalone scherzo and trio, this piece's 8th note-run-filled outer sections contrast nicely with the dotted half note-filled, lyrical melody of its inner section.
Etude in F Minor For the Left Hand ("Cross-Rhythms")This tricky piano etude for the left hand only helps you with cross-rhythms and beat subdivision.
Piano Sonata in F Sharp Major, Movement 3 (Collab.)Written to fit in an F sharp major collaborative piano sonata where only one of the other movements was in F sharp major, this scherzo and trio combines an amiable scherzo proper with a whirlwind trio, then foreshadows the fourth movement.
Scherzo AgitatoYet another fast standalone scherzo and trio, this is a nervous little thing. Its outer sections are filled with staccato-note runs, while its central trio quotes the BACH and DSCH motives.
Sonata-Allegro in G Minor ("Introduction and Frenzy")Nicknamed "Introduction and Frenzy" because of its prominent introduction and breakneck sonata-allegro proper, this sonata-allegro is heavily influenced by the 1st movement of Beethoven's Pathetique Sonata.
Scherzo QuartaleWith its prominent use of quartal harmony, this scherzo gives off a modernistic and avant-garde feel.
Prelude in F MinorEvoking the Romantic era of classical music, this prelude is passionate and dramatic.
At the ExtremesComposed for a contest in
https://musescore.com/groups/competition/discuss/5040699, this piece has a prominent contrabassoon melody and a rather quartal piccolo accompaniment.
Monarch's GloryThis stirring march is composed in the vein of Edward Elgar's Pomp and Circumstance March No. 4 in G Major.
Song Without Words No. 2Like Felix Mendelssohn's Songs Without Words, this is a short, song-like piano piece. Its heartfelt outer sections contrast with the march-like central section.
Sonata-Allegro in A Minor ("Into Ferocious Times")The fleeting tranquility this piece has later transforms into the rage of the rest of the piece--thus this sonata-allegro's nickname.
Sonata-Allegro in B Flat Minor ("Toccata")A more modernistic toccata in sonata-allegro form, this piece blends together multiple 20th-century toccata influences and presents a strong contrast between its quiet but restless beginning and its later eruption into rage.
Scherzo CromaticoStill another fast standalone scherzo and trio, this one has plentiful chromatic passages, both scalar and chordal.
Ballade No. 1 in E Flat Minor ("Reminiscences of the Sealed")Written for a contest, this ballade depicts the story of a sealed fighter and his sudden rush of memories of happier times with friends and family, only to be replaced by the realization that his sealing will never end anytime soon.
Tarantella No. 3 in A MinorThis tarantella shows a shockingly divergent sense of key as it veers into chromatic mediants.
Scherzino in F MajorThis cheeky scherzino launches itself into chromatic mediants and takes itself rather lightly.
Etude in A Minor ("Quartal")This etude helps you practice parallel suspended chords, creating quartal harmony.
Fugue in D MinorComposed for a contest, this fugue spins off from a D-E-A-F beginning.
Sonata-Allegro in B Flat Major ("Sedate")Also composed for a contest, this slow sonata-allegro is modelled after Wolfgang Amadeus Mozart's Piano Sonata No. 12 in F Major, K. 332, Mvmt. 2.
Galop No. 1 in B Flat MinorThis minor-key galop has a darker atmosphere than a typical galop and an agitated mood.
Violin Concerto in A Minor (Unfinished)Movement 1Still another piece composed for a contest, this violin concerto movement is based on Johann Sebastian Bach's Fugue in A Minor, BWV 865 from the Well-Tempered Clavier.
Prelude in D MajorWith arpeggio flurries and huge leaps in both hands, this virtuosic prelude is not for the faint of heart.
Etude in B Flat Major ("Sparkle")With plentiful rapid arpeggiated chords in the left hand and high notes in the right, this etude hopefully sparkles under your fingers.
UpstairsThis atonal piece keeps ascending and ascending, as if the music is going upstairs.
Prelude in B Flat MajorThis cheerful prelude launches itself into an increasingly virtuosic series of variations.
Sonata-Allegro in D Minor ("The Wandering Hero")With a constantly moving - or wandering - first theme group and an ambitious and heroic second theme group, this sonata-allegro earns its nickname of "The Wandering Hero". Unusually, its exposition's second theme group goes to the Neapolitan - the major key a semitone above the home key.
Polonaise No. 1 in A MajorWith its steady, moderate tempo and staccato chords, this polonaise sounds assertive and imperious.
Galop No. 2 in D Sharp MinorThis swift galop provides a true challenge for violinists.
Prelude in D Flat MajorA more placid prelude, this piece thrums along with plentiful 16th-note tremolos.
Funeral March No. 2 in D MinorWith unusual chord progressions and modulations, this funeral march has a striking effect. Its trio provides a quiet and more cheerful contrast.
Miniature Cyclic-Form Piano Sonatina in E Flat MajorSpoiler
Movement 1This sonata-allegro is soothing in mood and scherzo-without-trio-like in character.
Movement 2This theme and variations starts quietly and ends with much drama, then a whimper.
Movement 3A tarantella in all but name, this is a speedy and fiery sonata-rondo.
Like Felix Mendelssohn's Songs Without Words, this is a short, song-like piano piece. Its refrain is varied every time it returns.
Prelude in B Flat MinorThis unusually rigorous prelude is march-like in form and texture.
Lilliputian WaltzComposed for a contest in
https://musescore.com/groups/unlimited-competition-group/discuss/5107098, this waltz attempts to make the best of its glacially slow tempo of quarter note = 5 bpm by being in 3/32 time. ...It's still very slow.
Etude in B Minor ("Off-Beats")This etude helps you practice syncopation with its melody notes on plentiful off-beats.
Sonata-Allegro in C Minor ("In medias res")Like some others, this sonata-allegro starts its recapitulation in the middle of its first theme group - hence this piece's nickname, "In medias res". Maybe that nickname helped make this piece sound more Latin.
Ballade No. 2 in G Minor ("Winter Sojourn")This ballade depicts a quest to the wintry north to recover what has been lost. After a swell of hope and then plunging into hardship, what had been lost is eventually found - but the price to find it may very well be too high.
Forwards On!This lively march is in the style of Eric Coates's many orchestral marches, including his Dambusters March.
Etude in E Flat Major For the Left Hand ("Courtly Procession")Evoking a courtly procession, this etude for only the left hand helps you practice wide leaps and chords with that hand.
Scherzo in MiniaturaMade to be less than 3 minutes long, this miniature scherzo and trio compresses a lot of music in that short time.
A Musical Advent Calendar24 days in December until Christmas, 24 pieces/movements in a variety of styles (actually not just classical), all 24 keys!
Sonata-Allegro in G Major ("Subdominant")Like some others, this sonata-allegro has its recapitulation start in the subdominant key instead of the home key - hence this piece's nickname, "Subdominant".
Scherzo IntrusoThis standalone scherzo and trio incorporates some particularly intrusive notes: a chromatic mediant chord in the scherzo proper and an out-of-place leading tone in the trio.
Sonata-Allegro in C Sharp Minor ("Three Keys to Perdition")Dubbed "Three Keys to Perdition" partially because of its three-key exposition and partially because of its march to its inescapable doom, this sonata-allegro is less forgiving than most.
Concert Band & Marching BandPercussive MarchAn unorthodox march in rondo form, this march is strongly reminiscent of 20th-21st-century concert band music...and ends up near-quoting 2 too many other works, IMO.
Despite being subtitled as a piano transcription, the concert band version of this piece currently does not exist.
Daring MarchAnother unorthodox--perhaps
daring--march, this is in unconventional instrumentation and not-quite-conventional form.
Herald and Sun MarchIn the style of turn-of-the-20th-century American marches, this march is sure to put a smile on your face!
Circus ScreamerAs seen in its subtitle, this march is strongly influenced by Sousa's marches. However, as it is a screamer, it is much faster than most of Sousa's marches.
Despite being subtitled as a piano transcription, the concert band version of this piece currently does not exist.
United We Stand MarchAnother unorthodox march in ABA'B' form, this march depicts an army that knows that united it must stand, because divided it will otherwise fall.
A concert band version of this piece was composed in Grade 10, but it is of an older version. Beware: that version was probably not arranged for concert band well, which is why I have not published it here.
RagtimeImprov RagThe first rag I ever composed (but the second I ever published), this is strongly influenced by Joplin's famous rags. ...Except for the fourth strain, which is strongly influenced by tap dance music and "This Land Is Your Land".
(Mottled) Penny RagThe second rag I ever composed, this starts off sounding like silent film music but broadens emotionally as it progresses. Eventually, it returns to the first strain, but by then, it is broken and forever changed.
Unseelie RagThe third rag I ever composed, this evokes images of daring, mischievous, even malicious fairies. Its incredibly fast passagework reveals influences from both Felix Mendelssohn and George Gershwin.
D-Reamy D-RagA slow drag, the influences on this rag are less clear than in several of my other rags...except in the third strain, which sounds like tangos and flamenco music.
The Other Ragtime MarchWhat do you get when you cross a rag and a march? This!
Sonata-RagWhat do you get when you cross a rag and a sonata-allegro? This!
Alien Briar RagBeware: this rag is full of bizarre, striking, and utterly alien chord progressions.
Simplicity RagAn easy rag for relative beginners, this is meant to be sight-readable at full speed.
Seelie RagPerhaps evoking images of considerate, reasonable fairies, this rag also involves incredibly fast passagework--this time in a highly jazz-like manner.
Alpha Bravo FoxtrotThis swift foxtrot conjures a slightly military atmosphere, and it even attempts to strafe the listener at one point.
Ragtime EveningA purposeful return to old-style, Scott Joplin-like rags, this piece is a serenade of a rag.
Thopter Foundry RagThis purposefully mechanical rag rattles along, to the point of parodying more famous rags (such as Scott Joplin's "Maple Leaf Rag").
JazzTook 5 to the WingThe first full jazz piece I ever composed (but nowhere near close to the first I ever made themes for), this is rather like an improvisation on the chord progression that Ridley and Meta Knight's themes share in the style of the Dave Brubeck Quartet's "Take Five".
Relaxing JazzThis is the result of a challenge to write a non-WIP "relaxing" piece in 31 minutes or less. It uses an unorthodox-for-jazz set-up of electric piano, trumpet, alto saxophone, and especially cello.
A Jazz Sonata-AllegroWritten for a contest, this is a sonata-allegro made entirely of energetic jazz music for jazz trio.
12-Bar, 4-Note BluesAlso written for a contest, this 12-bar-blues-using boogie woogie gets by, even though its left-hand part uses only the notes C, D, F, and G.
Premiere at the BattleshipYet another jazz piece written for a contest, imagine this energetic jazz combo piece as the first piece played on a battleship opened to the public!
Call to All DancersQuick-paced and hard-swinging, this swift jazz solo piano piece is influenced by "Sing, Sing, Sing".
Rock/Metal (Includes Crossovers)It's Only Us TogetherRock? Pop? Latin? Does this song even care what genre it's in? It struts and sways around exotic harmonies and rollicking rhythms regardless.
Toccata No. 1 in E Minor ("Alla Metal")Beware: as a classical-metal crossover piece, this is pretty unpleasant-sounding, especially if you're not used to listening to heavy metal.
Regressive FormThe "Regressive Form" in the title is sonata-allegro form, but that's the only thing that's classical about this heavy metal piece.
Drum Solo Time!This is the result of accepting a challenge to write a non-WIP "original" piece in 10 minutes or less. Premise-wise, think of the drummer of a
Dream Theater-like band having a little time to improvise.
Avant-Garde Sonata-AllegroThis sonata-allegro is so avant-garde that its first theme group is atonal (well, because it's for solo drum kit), yet its second theme group is not (blame the glockenspiel). It has the mixed meters, key shifts, and drum kit use of progressive rock, but perhaps not much else.
Torn-Wing ButterflyThis metal ballad howls for lives cruelly cut short.
Seventh Sight-Read FailureConceived as a submission for a contest for unreadable sheet music that preferably sounds decent, this is a short heavy metal piece for the piano.
10-Measure Piano MetalThis is an entry for a contest to write a 10-measure-long piece with at least 10 C major chords in it. Turns out that it's another short heavy metal piece for the piano.
Toccata No. 2 in A Minor ("To the Metal Ocean")This time, this classical-metal crossover piece is crossed over with technical death metal and was composed as a homage to the tech death band Conquering Dystopia's song "Tethys" (thus the nickname of this piece).
PopLow-Soaring FlightComposed for a contest requesting a piece that uses the B-F#-G#m-E chord progression, this instrumental pop song uses both that chord progression and a version of the "Canon" chord progression extensively.
Electronic5 By 3Composed for a contest requesting a piece in 15/16 (or 11/8) time, this piece extensively uses both 5 groups of 3 and 3 groups of 5 per measure.
Video Game Music Loops (With Special OST Endings)Thunder On Boss (Boss Theme)A generic boss theme for a hypothetical video game that does not (yet) exist, this is sure to fire up all player characters in-game! (Final, bonus, and special semi-final boss themes I compose will convey some of the personality of the boss.) Bars 79-111 (everything after the repeat) are the OST-only ending.
Despite being subtitled as a piano transcription, no other arrangements of this piece currently exist.
Theme of the Light Warrior (Special Boss Theme)A special boss theme for a fan character I made, this is the first video game theme I ever composed, which is why it sounds like classical music. Bars 45-72 (everything after the repeat) are the OST-only ending.
Despite being subtitled as a piano transcription, no other arrangements of this piece currently exist.
Out and About (Overworld Theme)A first/Level 1 overworld theme for a hypothetical video game that does not (yet) exist, this march-like theme goes for a grand, orchestral feel. Bars 61-93 (everything after the repeat) are the OST-only ending.
Despite being subtitled as a piano transcription, no other arrangements of this piece currently exist.
Fraught Forest (Special Level Theme)This is a dark forest level theme for a hypothetical video game that does not yet exist. This forest is supposed to make you feel tense, uneasy, and agitated. Bars 52-63 (everything after the repeat) are the OST-only ending.
Despite being subtitled as a piano transcription, no other arrangements of this piece currently exist.
10 Minutes' Worth of Stressful Racetrack (Racetrack Theme)This is the result of accepting a challenge to write a non-WIP piece in 10 minutes or less. This is in the style of a racetrack theme from a
F-Zero-like video game. ...Yeah, I wasn't able to write any harmonies or a proper OST-only ending in the time provided.
Fight As If They're Monsters (Boss Theme)Another boss theme for a hypothetical video game that does not (yet) exist, this one may be more appropriate for fighting against people instead of monsters...but now you've got to fight them as if they're actually monsters, don't you? Bars 36-49 (everything after the repeat) are the OST-only ending.
Despite being subtitled as a synth sketch, no other arrangements of this piece currently exist.
Four Can Fight At This (Boss Theme)Yet another boss theme for a hypothetical video game that does not (yet) exist, this one seems reserved for especially difficult bosses. Quartal harmonies may make this one stand out. Bars 75-95 (everything after the repeat) are the OST-only ending.
Despite being subtitled as a piano transcription, no other arrangements of this piece currently exist.
Summer Field (Special Level Theme)This is a summer field level theme for a hypothetical video game that does not yet exist. This field is rather peaceful and comes with a lingering sunset. Bars 73-88 (everything after the repeat) are the OST-only ending.
Despite being subtitled as a piano transcription, no other arrangements of this piece currently exist.
Eight-Ton Showdown (Boss Theme)Still another boss theme for a hypothetical video game that does not (yet) exist, this one seems best suited for recurring, grudge-inducing bosses. Its use of an octatonic scale makes this especially abrasive. Bars 49-57 (everything after the repeat) are the OST-only ending.
Despite being subtitled as a heavy metal band version, no other arrangements of this piece currently exist.
Victory! (Victory Theme)A victory theme for a hypothetical video game that does not yet exist, this piece aims for majesty. Bars 44-52 (everything after the repeat) are the OST-only ending.
Despite being subtitled as a piano transcription, no other arrangements of this piece currently exist.
Double Harm (Boss Theme)Yet again, this is another boss theme for a hypothetical video game that does not (yet) exist. Perhaps this one is for a potential ally who's currently a difficult and irritating boss to fight. The constant use of the G# double harmonic major scale ups the stress. Bars 57-65 (everything after the repeat) are the OST-only ending.
Despite being subtitled as a piano transcription, no other arrangements of this piece currently exist.
Dark Chase (Cutscene Chase Theme)Born as a contest entry for specialized orchestration commissions, this is a cutscene chase theme for a hypothetical video game that does not (yet) exist. As a result, this ends conclusively and is not meant to be looped.
Smash Your Brother (Smash Bros. Fan Main Theme)In the style of a Super Smash Bros. main theme, this is versatile enough to be both a menu theme and a battle theme. Bars 52-70 (everything after the repeat) are the OST-only ending.
Despite being subtitled as a piano transcription, no other arrangements of this piece currently exist.
Winter Joy (Winter/Snow Level Theme)This is a winter or snow level theme for a hypothetical video game that does not yet exist. Bars 26-38 (everything after the repeat) are the OST-only ending.
Despite being subtitled as a piano transcription, no other arrangements of this piece currently exist.
Select on Standby (Menu Theme)This is a menu theme for a hypothetical video game that does not yet exist. Bars 17-24 (everything after the repeat) are the OST-only ending.
Despite being subtitled as a piano transcription, no other arrangements of this piece currently exist.
8-Bit Credits (Credits Theme)This is the credits theme of a hypothetical 8-bit video game that does not yet exist. This is one of those credits themes that does not loop.
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Topic: Dekkadeci's Compositions (Read 130352 times)