Of course we should make our own arrangement, but since it used our formatting, I wondered if it did originate from somehwere within NSM.
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Show posts MenuQuote from: Libera on October 04, 2019, 02:49:58 PM.-I'm not sure I fully agree with the 8va use in bars 1-4 and 13-24. The bass doesn't sound that low to me and it makes the transition from bar 4 to bar 5 seem a bit odd as the bass jumps up in register by a large amount. If there's a particular reason for having it so low, then feel free to explain it to me.I was thinking about this myself - I was listening to the tune, plunking out notes on the piano, and in the start, the F certainly didn't sound like it was in the same register as the bass in bar 5 - yes, the notes written on the sheet sounded low, but there definitely was a difference in the original track.
Quote from: Static on October 03, 2019, 06:53:27 PMYou bet! Great arrangement too.Looks great! Thanks!
Alright, feedback time:It looks like you use NotePad, so I went ahead and made these edits for you (also added hidden accents for m2-4). If you need anything changed back that you can't fix yourself, let me know.
- This would look great with 3 measures per system. Right now, some of the 16th note parts look pretty squished.
- Your dynamic markings are in general not consistently centered vertically. Also the mezzopiano at the beginning clashes with the crescendo.
- There's a clashing issue with the tempo marking. This can be fixed by having both the text and tempo under one marking instead of separate.
- That 3-note rhythm in the RH of m6, 11, and 12 is actually a quarter note triplet (each note is equally spaced apart).
- Some of the system spacing is too close to copyright text/titles/page numbers/etc.
- Sometimes, the 8va markings are touching notes, or is too far away from them.
Quote from: Static on October 03, 2019, 06:53:27 PMHere are some extra suggestions for you to consider. I didn't make these changes in the files.Done. (I credited only Wise.)
- m2: You can use that simile for the crescendos/diminuendos if you want to, so you don't have to have those written out a bunch of times. A simile marking might be useful in m14 as well.
- It looks like both David Wise and Graeme Norgate are credited as composers for this game. I couldn't find any other information on which specific tracks were composed by who, so both composers should probably be credited.
Quote from: Static on October 03, 2019, 06:53:27 PMNo - I think that the pedal should be used throughout to create the distant kind of sound with this piece.
- Did you mean to put a senza pedale marking at m5, or do you want pedal used for the entire piece? I'm just curious.
Quote from: Latios212 on September 07, 2019, 09:57:55 AMWhat do you mean? Something in particular?Ah - it was a dynamic marking, but I quickly edited the files once I remembered.
Quote from: Latios212 on September 07, 2019, 09:57:55 AM- Consider playability as well as sound - having both hands play in the low bass register and overlap in the second to last system on page 2 won't play easily nor sound goodI moved it an octave up - sounds good, more playable
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