I'm not crying, you're crying!! :sob:
Gonna miss you guys, good luck with life and all the stuff that comes with it!
Gonna miss you guys, good luck with life and all the stuff that comes with it!
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Show posts MenuQuoteVery nice, looks very good already! Notes are all correct!Thank goodness...
Quote-m4: Maybe you could cross-staff the first G in the R.H. (beat 2.25) to the L.H., for better playability: the R.H. has a lot of big jumps, which is quite tricky to play at this speed and may sound disconnected because the hand has to move positions a lot. By moving the G to the L.H., the R.H. just has to move once.This was the one thing I couldn't do, will upload a fixed version if i get someone to help me before you beat me to it
Quote-m7: I think the 3rd and 4th sixteenth notes in the R.H. should be small notes too right? The first two are louder than the other six.All fixed otherwise, new .mus file is in original post, not Dropbox
-m11: Maybe you could already change the last Bn (beat 4.75) to a Cb?
-m12: I hear just a staccato 8th note C on beat 2 of the L.H. (instead of two 16ths)
-m17: Maybe it makes sense to change the ending note of the glissando to Eb in m18 instead of the G: if you glissando to the G, you don't have time to move your hand back to the position to play the Eb, but you do if you gliss to the Eb (or rather, the D before the Eb).
QuoteI typically see tempo text before the metronome marking... i think i've been submitting this incorrectly every time... oops
Quotem4 I think it would look better if the 8va encompassed all of beat 4 instead of just the last 3 notes, but if you disagree you can leave it like thatI agree that it would look nicer, but i can't get it to look nice without it affecting beat 4
Quotem6/14 RH the sixteenth note groups weren't beamed together, but it automatically does that in newer finale versions when clicking on the inner reststhrows chair heckin' finale i swear
Quotem11-12 RH I think you could spice things up by adding accents here where applicableWasn't entirely sure what to do here, added some mercatos (i think) to accent the notes that are louder
Quotem12 RH beat 4.5 I think the Ab sounds like an AGood catches!
m12 LH beat 2 it feels like the second C either isn't as pronounced or isn't there at all; also it sounds like beats 4.25 and 4.5 should be swapped (so it goes G > En > C instead of En > G > C)
Quotem14 RH is there a reason why the C#/F# dyad was written as an eighth note when sixteenth notes were used everywhere else for that kind of figure? It sounds like the note lengths are the same to meThey are, i think i did that without thinking lol
Quotem15 beat 3 you can make the tied sixteenth/eighth notes a dotted eighth note if you'd like. Also, I think Db would be better than C# on beat 1 since these look like sus2 chords. Maybe Cb/Db/Gb could be used instead of B/C#/F# on beat 2.5 too, but idk about that oneAh, gotcha. Fixed.
Quotem17 it sounds like the gliss starts on beat 4.25 instead of 4.5oops, fixed
Quotem18 I think it might be easier for the RH to take the Eb's instead of the LHFixed
m18/19 RH it sounds like there are extra G's playing at the same time as the low G's in the LH, as well as one on beat 4.75 of m18
m19 since the triplets are going up chromatically, I think it would be better to write the flats as sharps (with the exception of the Eb) so that they're all written as thirds
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