Leaving this here while I work on making these changes
- I think it would make more sense to write the entire thing in E major instead of having a key change just for the two measures at the beginning and end
changed it all to Emaj for now but the amount of nat marks in those four measures are really messing with me, I'll keep it for now but idk i might prefer those to be a key change
- Center articulations around the noteheads, not the stems. Lemme know if you need help finding that setting
LH:
- B in m. 6 should be C# (same applies to m. 14)
listening to this over and over again I'm still hearing a B instead of a C#
RH:
- The chords at the beginning/end are fuller than the relatively open-sounding dyads you have written - try listening for the other pitches?
- I don't hear the low E note on beat 2.25 in the upper layer, and it's not part of the main melody
- The dyad you wrote in m. 14 isn't there like in m. 6 (where I think it might be Fn on top instead of F#?)
replaced it with a Fn-B for now
- I think it would make more sense to write the entire thing in E major instead of having a key change just for the two measures at the beginning and end
changed it all to Emaj for now but the amount of nat marks in those four measures are really messing with me, I'll keep it for now but idk i might prefer those to be a key change
- Center articulations around the noteheads, not the stems. Lemme know if you need help finding that setting
LH:
- B in m. 6 should be C# (same applies to m. 14)
listening to this over and over again I'm still hearing a B instead of a C#
RH:
- The chords at the beginning/end are fuller than the relatively open-sounding dyads you have written - try listening for the other pitches?
- I don't hear the low E note on beat 2.25 in the upper layer, and it's not part of the main melody
- The dyad you wrote in m. 14 isn't there like in m. 6 (where I think it might be Fn on top instead of F#?)
replaced it with a Fn-B for now
