Messages

You're welcome, glad you like!

Great job with the accompaniment at the dynamic change, having the left hand give more of an oomph as is needed. Intervals are wide but the left hand plays slowly, so looks good to me.

Just a couple more thoughts and that's it from me:
- You could try raising the melody of 20-22/24-27 an octave to differentiate the more "airy" sound of that section from the rest. Just a possibility, up to you.
- There's no "fine" marked in the sheet (or end to the song), so just use a D.S. at the end.

Done and done, I like octaves up way better too thanks!

Thanks everyone. Definitely keeping it as a solo.

Latios, I went with your voice leading idea which sounds fine and doesn't distort the progression even though the bass notes are different. Much more seamless than I expected. Thanks for that.

On page two I did larger voicings (which do reach up to 10ths but my hands can play them without rolling, plus they're all white keys which makes it more doable)

Sounds way fuller now!

Thoughts on transforming this to a duet arrangement?

Pretty sure those LH chords are more than one note.

It does sound bare, but I didn't add any other notes to avoid muddiness, otherwise I'd und up with voicings that are impossible to play with just left hand. I also tried adding chords in underneath the melody in the right hand but it didn't add enough sonically to make a difference. Any ideas?

Gotta follow the trend

I love these!!

Good look out!

I resized the accompaniment figures in the RH so it's more obvious when the melody ends

Fixed!

Sounds good, all fixed!

Figured I'd try again with this one

Fixed

Ohh I see what you mean. All fixed!!

Should I put the following 8th notes at the end of each bar after in two layers as well?

Fixed the slurs and the rests. For measure 41 with the E, I think it should stay in the 1st layer as it becomes the melody without any counter lines over it so it should be as is.

And yes, I do hear both C's and D's in measure 13.

All fixed!!