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- m. 16 - I'm hearing an octave doubled A underneath on beat 4.5 RH. Same A under the D on m. 17 beat 2.
- m. 18 - not hearing the RH E on beat 1.
- m. 21 - there's a D below the dyad on beat 3
- m. 21 - missing low F# on beat 4 like in m. 17
- m. 29 B at the end (LH) should be doubled an octave lower

Overall good sheet, but some things are a bit weird, most notably the usage of layers, when they are used seems kind of arbitrary and I'd lean towards suggesting keeping everything in one layer. Also fix the spacing of m. 29 by clicking it.

- m. 2 Eb->F on beat 1. A fermata or caesura would do nicely at the end of 2, perhaps double barlines as well.

These following few apply to the end too.
- m. 6 not hearing the top C on beat 2.
- m. 8 you could move the eighth rest back onto the staff perhaps.
- m. 9 dyad sounds like Bb on the bottom not C.
- m. 10 no dotted quarter note?

- Follow-up on the measure distribution comments last time: bump some more measures down a bit so systems start with ms. 12, 14, 16, 18, 20. Relocates some of the space on the second page to the third system on the first page.
- m. 18 - slur the grace note?
- m. 22 - missing Ab under first C
- Last measure - it's a bit unclear that the 8va applies to the LH as well. Maybe just stick those notes on the top staff.

Cool sheet.

Hm, I hear it now I guess...

Okay, good to go.

Yeah, I'd second that, Levi.

anyone wanna look at my good sheet

That was a probably more than half-serious question lol. Okay, good to know Mael's not the only one with broken ears as he dumped this one on me suggested I review this one...

Why are all the notes so high.

All the pitches are correct, good job. Some feedback about the sheet:
- Use a dotted quarter in m. 10 for consistency (like m. 2).
- Instead of having 8va then 15ma, how about just making the whole thing (up to m. 16) 15ma? (And, if so, 24 as well for continuity's sake.)
- In m. 20, I don't actually hear the lower voice playing that F half note. I'd just make it a half rest.
- For the measure layout, I'd suggest (as measures per system): 2-3-3-3-3-3-3-4. The first system needs extra space more than the last.

Nice work.

Updated with some note/aesthetic fixes. Good to go now.

You really... don't need to bump every few days. As I said last time, we see the submission is here and we will get to it when we get to it.

Hmmm... Gold/Silver's Surf theme is kinda tricky xD

Going with the trend of easy but really quite nice sounding Pokémon piano pieces you might want to try...
- Pokémon League (Day)
- An Unwavering Heart
- The Lament of Falling Stars

Actually, repeat bars at the beginning are frowned upon a bit.

Anyway, beat 4 of 7 (LH) should be a D instead of C#. The trills could also be nudged left slightly.

Also something tells me this should be in D minor but I"m not too sure atm

I helped Andy out with this one

- I'd raise and show the layer 2 quarter rests in m. 1-2.
- The accel. would be better positioned on measure 15.
- m. 3: last eighth notes in middle layer is G# not F#.
- You could afford to move the ped. markings down a bit. They're a bit close to the notes in places.
- Raise those eighth rests in m. 5 back to center staff.
- In m. 7-10 I would recommend flipping the top layer back up and displaying the rest in layer 2. Just looking at the PDF it's a little ambiguous which voice beat 4 belongs to.
- Keys from 11-end, it modulates from D->E->F->G, not A. You could write out the key changes, or leave everything in G perhaps.
- At the end, is it supposed to be a white key glissando? Also it overlaps the natural on the low G (currently).
- Check the composer spelling?

fixededededed