Messages

lofi beats to relax and study to

-m10: I hear octaves below the Bb's in beat 5-6
-m12: The 8va should start a little earlier, so that the 8 is more to the left of the first note.
-m15: I think you can add the Bb an octave below beat 1.5 too, it's still playable for me
-m26: L.H. note on beat 4.5 should be Fb.
-m27: I hear the Fb on top of the chord in the L.H. on beat 2 an octave lower

All changed

["Teatime Meadows"]

Comfy tunes from Finji games ^v^

Chicory: A Colorful Tale

"Teatime Meadows"

FILES

TUNIC

"Sunset Breakfast"

FILES

I understand what you are coming from, so I'm okay with removing this sheet from the project

[Frostak's Cold Land]

Frostak's Cold Land

The sheet has been revised, added harmony to most of right hand notes and cleaned up the left hand parts. Also, the layout is now fixed

-I think this should just be in 4/4? (or 2/2 if you will). This is how I hear the first 6 bars:

The 8bit version is in 3/4, so I use it for the normal version too

-m3, 9 and 44: I think I hear a C underneath this L.H. chord too, at least for a little bit. It makes the chord sound a bit more dissonant than just a Gb major chord.
-m21-24: I hear this in the R.H. in m21 and the L.H. in m21-24: ...
The same thing applies to m27-28, albeit with different notes (and restriking the lower chord in m28)

Added

-m17-18: There's more lower stuff happening in this L.H. chord, maybe it makes sense to write it like this:

I opt for a different voicing to match the register of m13 chord (both dropping the bass C note), and to keep the parallel chord motion to m19

-m33: The middle two ties of the L.H. chord are touching each other, it's probably best to flip their directions.

Fixed. Didn't know ties can be flipped in Finale Notepad before

• m1/7/42 LH: I hear an additional F under the G here. Also, this chord should not be tied; it rearticulates on the downbeat of m2/8/43.
• m2/8/43 LH: I hear this chord as C-F-G, like this:
  
• m13 LH: I hear an F under the G here as well

Added the lower notes, including the additional C bass notes at m1/7/42

• m21-22 LH: You could add the lower notes here if you wanted, and use arpeggio markings. It's fine as you have it though.

Yeah I'd keep it as is

• m38 LH: I'm not hearing the lower F here, just the ones in the RH.

I included that F to maintain the parallel chord motion to m39. Both chords has the third on top normally

[Frostak's Cold Land]

Frostak's Cold Land - Kirby Star Allies

Honeylune Ridge - Super Mario Odyssey

["Majesty"]

Celebrating 10th anniversary of Fez!

Fez

"Majesty"

FILES

Done all the remaining edits mentioned, except that I left m.31 as is.

- There should be a bass pickup before it. Adding a measure would be fine since it's an optional ending anyway, and you could even make the added measure a pickup within the piece (i.e. be a 1/4 bar with the time signature hidden).

Adding a measure in Notepad changes the system spacing to default, so it needs to be adjusted back. Also, I would like to add a hidden 1/4 time signature but can't do so in Notepad. Please help me fix these.

- The melodic line you have transcribed is the sax voice, which I also hear as the main voice. But the first note should be a D (below the staff) instead of B; the B is played by the flute.

Since most of the other streamer battle clear theme has that B note in the melody, I would like to keep that in. So I added the D note under the existing B note.

A low D, in all those measures. That note is slapped rather than plucked, so it has a more percussive sound, but I still hear the pitch there.

Ah I see. Added.

m36-end look the same as before. I had some additional feedback for those measures.

Oops I overlooked them. Now fixed

Also, do you have a recording or source for the Battle Clear fanfare? I need to check that too.

Here you go!

On Rainbow Across the Skies:

I do really hear it as an octave above though, are you sure you hear it go down?

I'm positive about that.

On Red Streamer Battle:

• m22 RH: Flat sign is touching the note before it, you can adjust it with the Note Position and/or Accidental Mover Tool.

I don't think either tool is included in Finale Notepad, so please help me fix that.

• m29 RH beat 2.5: I think the flute plays the B above that G here, but it's hard to tell.

After listening again, I believe the flute repeats the previous note (a D note) there.

• m13 LH beat 1.5: I'm not hearing the first 16th note here.

Does the same problem appear at m29 LH beat 1.5? The bass part sound very similar between those two places.

• m15/19/31/35 LH beat 3: I hear another 16th note right on the downbeat here.

I only hear drums on those downbeat. May I ask what notes did you hear?

• m37 LH beat 4: I don't hear this figure, it just sounds like the bass slides up for the entire duration of the half note. If anything, it sounds like there might be a single 16th note D right at the end of the measure on beat 4.75.

That figure is played by a electric guitar-esque instrument originally. I took that part and adapted it to fill in the beat since the beat feels too empty otherwise.

Responses on Rainbow Across the Skies:

If you want the mp on beat 3 in between brackets, I can do that for you! It does look a bit weird to have a mp two bars after the first mp, but it also makes more sense after the repeat, so I guess either's fine.

Please do!

-Is there a reason you used a repeat marking here instead of the D.S. you used in Red Streamer Battle? I personally usually prefer D.S. for bigger jumps like this.

Not really. I used repeat barlines there in a very old draft of the sheet, and I didn't change it since. Please help me change the repeat marking to segno/D.S. markings.

-m2: Is the second layer in the R.H. here the echo from the first bar? If so, I'd suggest a F# instead of a D on beat 3.5.

I decided that the echo doesn't fit in the arrangement so I removed them instead.

Also, the G in the L.H. on beat 4.5 should be an octave lower, or did you raise it an octave for easier playability on the chord on the next bar?

Yep it's for easier playability.

-m31 L.H.: If you chose to put the chord notes in the R.H., you can move the E on beat 3.5 up an octave like in the original.

I moved the E on m29 beat 3.5 down an octave instead, since that's what I heard in the bass line.

-m36: I'm not sure if you need the mf and hairpin here, if you just lengthen the poco a poco cresc in m33 to the end of the system.

My intention there was to emphasize the key change by a faster dynamic change. But on second thought, I think the 16th note runs already serve that propose, so I followed the suggestion and change the section as such.