Started by Zeta, September 21, 2018, 05:38:17 PM
Quote from: Brassman388 on September 21, 2018, 07:29:45 PMThe melody needs work as to how it's written, the use of second layers, and sustained notes. For example, m. 12, 13 seem to sustain through the entire measure as a two note chord that moves together. That gets rid of the need for a second layer, and the need to spell that D-flat as a C-sharp since it's moving within that A-major chord. The bottom B should be held as long as the moving notes above and thus does not need to be in a second layer. The last thing about m. 13 is the sounding of a C-natural as a quarter note on beat 4 going into the next phrase landing on the D in the next measure.
Quote from: Brassman388 on September 21, 2018, 07:29:45 PMI know it sounds like an echo, but i think it works as part as the setup into the next phrase.
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