Are you sure about those chords. Those seem a bit too complex. I thought most of them was just dim-chords. Apart from m.4 and 14. beat 1, which I think I saw as a rootless D7b9 chord.
On their own, they would be just diminshed chords, but the LH is part of the chord too. Using m5 beat 1 as an example, A-D-E-F-G# makes more sense than A-D-E-F-Ab. The Ab and A clash; it should be written as a major 7th.
For m5 beat 4, it's the same deal with E-F#-C-D#; Eb doesn't make sense in this context.
m14 is more simple; beat 1 is an A diminished chord but spelling it with sharps rather than flats makes the intervals easier to read imo; Eb to Bn is a very weird interval. D#dim7 is the same as Adim7, just spelled differently.
For m14 beat 3, I think E7b9 makes the most sense; this is the most simple chord here: E-G#-B-D-F.
And 18-19 I spelled it that way to show the interval (minor 5th). I think it looks easier that way.
I thought the augmented 4ths were easier to read, but looking at it again, I think m18 looks better as dim5ths and m19 looks better as augmented 4ths. A-C#-G is a very natural chord to play (just an A7), and then F-A-B makes more sense than F-A-Cb. I changed m18 back to how you had it before.
Hopefully the chord theory stuff makes sense but let me know if you have questions!
