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Started by Zeta, September 05, 2022, 06:08:34 PM
Quote from: Bloop on September 07, 2022, 12:24:19 PM-m7, 14 and 18: The endings (the last 8th) to these bars are actually a bit slower than how you have written them, but writing the exact note values will be a pain. To be exact, these endings are technically 2 triplet 8ths with the 3rd triplet cut off. If you would write this out in its separate bar, it would be a 2/12th time signature, believe it or not. As far as I know, there's no way to write time signatures with custom denominators. Another option would be to make it a 2/8 bar, and have a metric modulation saying "triplet 8th = 8th", and then adding "8th = triplet 8th" at the following measure, but that might also look a bit messy. I'll leave it up to you if you wanna experiment with either of these options, but I'm also fine with if you want to keep it as is.-m14: I hear the last two notes in the R.H. an octave higher, and with a minor second added below them.-m18: I hear the last dyad in the R.H. an octave higher too.
Quote from: NineLives on September 07, 2022, 01:44:46 PMFor measure 14, I added the minor second, but I think, similar to what I have for measure 18, it'd be easier to play in its current octave and will easily transition into the next measures without having to jump up/down so far so fast. That's what I thought when I made it that way initially at least.
Quote from: Libera on November 14, 2022, 11:38:43 AMHi/Med Diff-Again, the voicing in the melody in bar 4 doesn't sound right. I think it should be like in low diff, starting on a D in bar 4 and a D again in bar 5 etc. The only difference I hear (other than the key) is that it doesn't go up a third on beat 4 of bar 6, which sounds correct as you have it. The second voice should also be adjusted with these corrections in mind.
Quote from: NineLives on November 14, 2022, 03:12:01 PMFor this section here, I get where you're coming from, but like what you suggested for the A in measure 6, I initially had a similar idea for the D's of measures 4 and 5 being an octave lower, since they too are part of the accompaniment rather than the melody.
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