I meant to say something when you first submitted it, but incredible work on this you two
Thank you very much! Zeila and I are very happy with the results

My only comment is about the phrasing of the melody, in m8 + m10 + m12 I'm not hearing any of the downbeats as staccato, and this applies to all other repeats of this phrase later in the sheet as well (excluding m39-46 and m92-97)
I can kinda hear them being a bit longer, but they're still not fuly legato. At this speed, I think there's a very small, even neglible difference between playing them staccato and portato, so I think keeping the staccatos is fine too.
After discussing this for a bit, we decided that the best course of action would be to leave it as-is. Thanks anyway!
In m44 and 46, the A#'s in the R.H. should go back to being Bb's (C#dim chord): the Bn to Bb movement is mirroring the G# to Gn movement in m40 and 42, both are the (raised) 6 in the scale going back to the b6.
Ahh, okay, got it.
Something you could do is shortening the tie so it stops before the natural, like this:

Good idea! Done.
I wasn't necessarily thinking of a performance note, but rather putting the lower two notes in a separate layer as an 8th for example. Anyway, keeping it as is is fine too!
Okay then, Zeila and I decided to keep it that way, thank you for clarifying though.
We'd like to thank everyone that helped prepare our sheet for acceptance onto the site, as we understand that it's a very ambitious arrangement in terms of the source material's complexity, as well as sheer length. We're very grateful that we got this far, and couldn't have done it without your tireless efforts. Our most sincere gratitude goes out to you!