Thanks, Zeila.
I have some remarks about Epilogue:
- Did you write m3/4 like that intentionally? Because it sounds like the octaves are G and A instead of E and F
The E and F# are definitely there in the original. If you slow it down, you can hear them as they ascend to the G and A in the rolled chord. As I listen now though, it does sound like the last two chords have more notes in them, and I think I left them as they were to stay consistent with the number of voices. I'll add those notes in though.
- I'm not sure, but in m20 it sounds like the E is re-struck instead of tied
It doesn't sound that way...
- It sounds like m22 is just 5 beats instead of a fermata but it might be better to write it like that anyways
Given the context, allowing the player to perform it freely suits the music's needs better, I think. Metering out a pause like that would be wonky.
- m24 the run is 8 32nd notes and starts with a C#
I can see that. Done.
- m25 the tempo should be q = 76
Nice catch. Added.
- Is there a reason why you hid the number for the group of 7 and 10 notes in m24 (if you're going to keep it as 7 notes) and 31?
Like the fermata thing, it's a contextual stylistic thing. They're runs; they don't necessarily need to have a set number for how they fit. Similar to how you would see a cadenza written. I could un-hide the numbers, but they would look super tacky.
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Topic: Olimar12345's Arrangements! (880 Total) 26 New Sheets (Pikmin, Zelda, Buddy Sim) (Read 102468 times)