I noticed that in a few of your sheets, you tend to hide some rests that would be better visible imo and some of the text isn't aligned properly. A lot of my feedback is kind of picky but in general nice work!
Afterglow
Formatting:
- You should show the quarter rests everywhere (and with m2, you can move it with the move rests plug-in under note, beam, and rest editing
- You should give the composer/arranger text more space. There's plenty of room to move the first system down
- The composer/arranger info aren't right aligned, and the title info isn't center aligned either. You can use the shortcut Ctrl+Shift+ the ']', '[', or '"' keys for right, left, and center alignment respectively, or you could edit the frame attributes
- You can just edit the copyright info instead of having to add an extra line. This can be done with either the Text tool and making sure that the newly added text is under the grey highlight or by manually editing it in the File Info tab of the Score Manager (and don't forget to delete the extra 2017)
- The slur in m3-5 looks slightly off, but you can fix it by deleting it and adding a new one
- The crescendo looks kind of weird, and I think it would look better if you were to either cut it off before m4 and add some type of dynamic or if the decrescendo started at the beginning of m4
Notes:
- I think you should put a tremolo as an imitation of the timpani roll in a pickup measure
- Speaking of the timpani, there is more action and it wouldn't hurt to replace the 2nd layer whole notes with what the timpani plays (namely m2 and 4)
- There's another harmony part starting at m3 beat 2 (same pattern as RH but it starts with an E below the dotted half note in the LH)
Safeguard
Formatting:
- There's a newline at the end of the copyright that should be deleted
- Ik this is really minuscule, but the composer/arranger info isn't right aligned. It also may be better if they were under the subtitle but I don't think that matters too much
- You're a little inconsistent with the clef changes/cross staving, since in m3 you elected to cross staff but in m9+ you use clef changes. I think it would be better to forgo the clef changes, but you can do what you want
- The quarter rest in the second layer should be visible
Notes:
- The beginning arpeggio is wrong and it sounds like it starts on an F. It also seems like there is an extra part
- I think there should be staccatos on the offbeats in the LH ostinato. After the first two measures you can write simile and then hide them if you think it looks cluttered
- It sounds like you're missing harmonies in m1-3 and 5-8. For example, you're missing an A and B on beat 2 of m1, and an A (in between the two notes you already have) on beat 3. I think those sections should also be lowered an octave (even with the 16th note runs) and beat 1 of m3 should be a quarter note. As a start, here's a picture of what I mean:

(I don't think the slurs in the LH are necessary)
- m4 I think there is a staccato on beat 1.5
- m6 I don't think there should be a slur starting on beat 3 because the last two quarter notes sound detached and may be better off with staccatos
- m8 you could potentially add the timpani part in the LH
- m10 beat 2 should just be a staccato'd eighth note instead of two sixteenth notes; on beat 3.25-end the notes are wrong (to start, beat 3.25 is a C)
- m15 LH I think it would be better if there was a Db for the first 3/2 beats instead of the repeated F
Strike
Formatting:
- Like with the other two sheets I mentioned, the composer/arranger info isn't right aligned
- You have plenty of space to move the measures so you should redistribute them. On the flipside, you could resize the pages with the resize tool and put everything on one page
vs
- Your slurs seem kind of backwards and I think it would make more sense for the runs to be slurred rather than the melody. If you do add slurs to the runs then you should flip the directions (like how I put it in the two pages pic)
- You should move the staccatissimos to the notehead side. This goes for any articulation that moves due to layer positioning in most cases
Notes:
- m1 and m5 eighth notes in the beginning of the phrase should be staccato'd, but if you want to leave it like that then you could slur up to the first staccato'd eighth note
- m9 idk if I accidentally moved it or not, but beat 1 should be an A
- m9 beat 2 until beat 1 of m19 should be lowered by an octave
- m10, 12, and 14 beat 4 would be better with accent-staccatos instead of staccatissimos imo but it's your choice