Zeila's Halloween Sheet | [MUL] Trivia Murder Party - List of the Dead Song

[Zeila]

[MUL] Trivia Murder Party - List of the Dead Song
[MUS] | [MUSX]

The official name is from this, and I figure that it would be better to have the game be classified under "Trivia Murder Party" instead of "The Jackbox Party Pack 3", although I don't mind changing it in the sheet itself. Also, the run at measure 29 was simplified

[Kricketune54]

Great pick!  That's a fun game on the collection for sure

[Maelstrom]

m1 LH b2 - I only hear a single Bb here, no harmony
m16 RH - there's a note here and it's a Bb
Maybe a rubato in the tempo marking? Or somewhere.
This sheet could use a healthy dose of 8vas/celf changes. The ledger lines get a bit insane and borderline illegible at times.

[Zeila]

Great pick!  That's a fun game on the collection for sure

Yeah it's certainly fun to play with friends :3

m1 LH b2 - I only hear a single Bb here, no harmony

I think the G is quieter than the Bb, but I still hear one on beat 2

m16 RH - there's a note here and it's a Bb

I don't hear this at all

Maybe a rubato in the tempo marking? Or somewhere.

Done

This sheet could use a healthy dose of 8vas/celf changes. The ledger lines get a bit insane and borderline illegible at times.

I thought it would be okay since some of the notes are relative to others within some interval, but sure. I added clef changes but I left the RH alone

[Maelstrom]

I don't hear this at all

I hear this loud and clear. If the next updater could specifically check for this, I can approve it.

While I will approve it regardless, might I recommend an 8va for m11-16 and 21-24 RH? I think it would make the parts much easier to sight read, and most of the transitions in/out of these sections are dotted half notes, so mental transitions to and from the 8va should be negligible. I can't see a reason not to include these.

[Latios212]

- I think the An's in m. 13/43 may be better as Bbb's (Cb7 chord). Same for m. 29 - and there you could write the G# as Ab if you write the An as Bbb
- End the crescendo before (not on) the barline in m. 16
- m. 26 is missing the lower octave Dn in the left hand. I would suggest prioritizing that over the F to preserve the descending bass pattern
- I'd consider dropping m. 31 LH down an octave
- Fermata on the last LH note

m16 RH - there's a note here and it's a Bb

I don't hear this at all

I hear this loud and clear. If the next updater could specifically check for this, I can approve it.

I don't think I hear it either.

While I will approve it regardless, might I recommend an 8va for m11-16 and 21-24 RH? I think it would make the parts much easier to sight read, and most of the transitions in/out of these sections are dotted half notes, so mental transitions to and from the 8va should be negligible. I can't see a reason not to include these.

I think 11-16 as fine as is (it starts out with a phrase similar to other sections, and only goes a bit higher). On the other hand, yes I think 21-24 would be much better using an 8va.

Speaking of that section:
You cannot view this attachment.
The keysig contains a lot of flats, but the contour of the octaves here (i.e. descending/ascending pairs of chromatic tones) is visually lost the way it's currently written. I think this makes it a bit easier to read, but lemme know what you think.

[Zeila]

Speaking of that section:
~snip~
The keysig contains a lot of flats, but the contour of the octaves here (i.e. descending/ascending pairs of chromatic tones) is visually lost the way it's currently written. I think this makes it a bit easier to read, but lemme know what you think.

Yeah that makes sense since it keeps the pattern more visually consistent

- I think the An's in m. 13/43 may be better as Bbb's (Cb7 chord). Same for m. 29 - and there you could write the G# as Ab if you write the An as Bbb
- End the crescendo before (not on) the barline in m. 16
- m. 26 is missing the lower octave Dn in the left hand. I would suggest prioritizing that over the F to preserve the descending bass pattern
- I'd consider dropping m. 31 LH down an octave
- Fermata on the last LH note
I think 11-16 as fine as is (it starts out with a phrase similar to other sections, and only goes a bit higher). On the other hand, yes I think 21-24 would be much better using an 8va.

Updated

[Latios212]

Awesome! Sorry, one last thing, see if you can mess around with the spacing a bit in m. 23 so that the sharps aren't practically touching the previous notes.

That should be it before I accept :3

[Zeila]

Alrighty, it's been adjusted. Thanks!

[Latios212]

Great, thanks! Accepted