Print

Please login or register.
1 Hour 1 Day 1 Week 1 Month Forever
Login with username, password and session length

[Zeta]

Submission Information:
Series: Other
Game: Racing Lagoon
Console: PlayStation
Title: Base Point
Instrumentation Solo Piano
Arranger: Static

[attachment deleted by admin]

[Static]

[The Deku Trombonist]

Yeeesssssss good to see some Racing Lagoon!!!

[Bloop]

damn this gets j a z z y

-m3: I actually don't hear the F# on beat 1.25 in this bar.
-m9: You separated the beams of the melody notes in beat 1, but not in m17-20. I think it'd look a bit cleaner to just have them connected here too though.
-m17: I think the D# at the start in the R.H. is rearticulated instead of tied.
-In m18 and 19, there's an F# on beat 1.75 as well, did you leave it out consciously? (it's also in m20 but I can see it being a bit more out of place there)
-m28: The G# in the R.H. at the and of the bar should be Gn.
-m29-32: I'm guessing the majority of these 4 bars should be played with pedal (considering the held chords and bassline)? Maybe it'd make sense to add a few pedal marks here, just to be extra clear.
-m30: I hear E-F# as the last two bass notes (instead of B-C#)
-m32: I hear the last two bass notes an octave up (related to the octave the G# is in). It's probably best to put the bass notes at m30 in this same octave too.

[Static]

-m9: You separated the beams of the melody notes in beat 1, but not in m17-20. I think it'd look a bit cleaner to just have them connected here too though.

Yeah, I originally had everything separated, but I changed my mind later on and forgot to re-connect this one.

-m17: I think the D# at the start in the R.H. is rearticulated instead of tied.

I still hear it tied

-In m18 and 19, there's an F# on beat 1.75 as well, did you leave it out consciously? (it's also in m20 but I can see it being a bit more out of place there)

I wanted to keep the two voices completely separate and not have overlap, but I changed my mind and added those F#s in m18 and 19. I left it out in m20 though.

-m32: I hear the last two bass notes an octave up (related to the octave the G# is in). It's probably best to put the bass notes at m30 in this same octave too.

I'd rather keep the bass notes all in the same general range there; it's technically the G#s that should be an octave lower.

Everything else should be fixed, thanks for taking a look

[Bloop]

I still hear it tied

I can kinda hear an increase in volume after the bass drum on beat 1 in m17 though, but it's kinda hard to hear ;p Having it tied isn't a big problem either though

Also, the last pedal release mark in m30 is currently touching the beam of the bass part, but aside from that (and maybe the tied note), I'll approve ^^

[Static]

Also, the last pedal release mark in m30 is currently touching the beam of the bass part

fixed

[Latios212]

This sheet looks great! That beat 3 chord changing in m. 8 and 12... it's very subtle

Only have a few tiny things to mention:
- I think the last RH note in m. 19 is a D# instead of C#
- Flip the quarter/half rests in m. 21
- The pedal markings at the end are a bit far right (not centered under the chord)

[Static]

I still hear C# in m19, got the other things though. Thanks for having a look

[Latios212]

We chatted over Discord and got a third opinion from Libera... it has now been updated to a D#.

Accepting!

[Zeta]

This submission has been accepted by Latios212.

~Zeta, your friendly NSM-Bot