In regard to camera and lighting stuff I think it's all great but I'm not much of a tech whizz. I don't know if I commented previously on this arrangement but it's one of my favourites that you've done because the original is so complicated and ... sinnoh. You've managed to make it doable and funky, which is awesome.
Hey, thank you so much for watching! ^^ And for your comments on the arrangement haha, that was a real labour of love

My only problem lies with the chord the end of bar 29 as it's a bit weak. That said, I have no idea how you could change it because the parts lead there e.g. bass fits in the descending line. I've spent a minute or two having a look and I can't cleanly add the f sharp my heart desires
I love this comment so much. Yes, I completely agree, and you even mentioned f-sharp <3
When I took a look back at this after releasing it, I noticed that chord too - and then I checked up my four-part harmony and realised I'd made one of the biggest noob mistakes possible: no third. And that's a diminished (with added seventh) chord haha, making it painful and empty as hell. But yes, I thought somewhat in the process you were thinking with, and realised the F-sharp couldn't really fit anywhere.
But now with the theory in mind, I've found two options; from bass to sop:D#-F#-C#-A or D#-C#-F#-A. It makes the middle voice movement a bit weird, but some performance tweaks can be made for that

...ahaha, you awoke my theory nerdism. But thank you for looking so closely at a bunch of notes, appreciate it <3