The Official Wind Waker Project

[Bloop]

Jalhalla
[MUS]

Is it really necessary to also arrange the "[insert boss] 2nd time" themes? I feel like it'll be almost the same arrangement as the original boss themes.

[mikey]

If memory serves the flashbacks sound pretty different

[Bloop]

If memory serves the flashbacks sound pretty different

Well they do, but note-wise they're pretty much the same.

[Latios212]

I haven't listened closely, but:
- No one has to arrange the second version. The list is there, but we're not going for 100% completion.
- If they're that similar you can probably incorporate it into your sheet (a few different ways this can happen).

[Sebastian]

I'll take
Disc 1:
20) Forsaken Fortress Invasion 1
22) Forsaken Fortress.
23) Imprisonment.
26) Rendezvous With the Ship 2
27) Rendezvous With the Ship 3
73) To Hyrule
Disc 2:
01) Sealed Hyrule Castle
Question: This song is basically a decrepit version of Hyrule Castle, but with just the Introduction and the Conclusion. You think I should just not do it or..? Either way works for me.

[mikey]

Why is my name in the op

[Latios212]

Because you claimed like ten songs?

[mikey]

No I mean like randomly in the op not next to a song

[Latios212]

because I can't type

[Sebastian]

[GCN] The Legend of Zelda: Wind Waker

Forbidden Woods

[Sebastian]

[GCN] The Legend of Zelda: Wind Waker

Forsaken Fortress Invasion 1

I. Hate. This. Song.

[Brassman388]

Turn those sharps in the 2nd tenorline into naturals and you'll be in business.

The flute line could use some work as well. That's where I would use double sharps.

[Sebastian]

Turn those sharps in the 2nd tenorline into naturals and you'll be in business.

Are you referring to the double sharps?
I mean, this song is really weird. I don't know if there is any "correct" way.
I used Fx because I think it'd be weird to have G naturals and C#s in the same measure (it seems to contradict the V [G#min]; same with the Fx and B#/C# combo in M. 9.

The flute line could use some work as well. That's where I would use double sharps.

The only double sharp(s) that sounds reasonable in the flute section would be in M. 22--a Cx vs. D nat.

[Brassman388]

At this point, you want the most logical and smoothest line possible, despite the theory behind the chord structure.

That's up to you, though. From a performer's standpoint, it's a bit hard to read.

[Sebastian]

At this point, you want the most logical and smoothest line possible, despite the theory behind the chord structure.

That's up to you, though. From a performer's standpoint, it's a bit hard to read.

Very, very true. I'll see what I can do.