Nah crazy brass players have raved about how beautiful it is and they make me listen to euphonium pieces and it's just kind of gross like French horn is infinitely better. A lot of brass instruments make me want to throw up tho
lol
those crazy brass players, pretending they know shit about brass
like how the registers and functional velocities of different instruments aren't just interchangeable for extremely mild timbral swaps
Also idk what other brass instruments you could possibly be talking about, but unless it's something other than trumpet, french horn, trombone, tuba, or their variants, have fun disagreeing with basically everyone, I guess
The Euphonium has its uses, but I've found no need for it within my own works and arrangements yet. I find it's best for off stage brass ensembles, combined with a couple of trumpets and a trombone.
No yeah, it's situational, to be sure. It's a lot more necessary in wind band though, on the account of the fact that there are few viable substitutes for cello that can actually have both velocity and timbral weight. Its only real use in the orchestra is as a solo instrument (speaking more generally of the tenor tuba family, for which Holst, Mussorgsky, and Mahler wrote pretty goddamn well), so I can easily understand why it's not more common there.
EDIT:
Wow! Fierce, your variations on Crimson Loftwing are absolutely beautiful. No other way to describe it.
Though I'm sure this was mostly for the joke about the name discretion, still, thank you haha
?? No part of my arrangement was jazz though...
Dat improvisational feel bari solo begs to differ, lol
Also, 3:50 and 4:40 definitely seem jazz-inspired, at the very least
Idk, maybe I'm just really not accustomed to hearing saxes, particularly tenor+bari, within a classical setting (aside from standard wind band stuff). It's a shame finale playback (especially the non-HP MIDI) has so few sound possibilities; I take it you're probably thinking of a much warmer, less nasal sound for this.
It's really a shame that I can't zoom in for the bigger orchestral arrangements, and how some of the Finale playbacks sound like a solo piano instead of different instruments (on my end, at least).
You should be able to zoom in on all versions of finale, I believe. 2012 notepad definitely has the capability, though only to specific preset %'s. I think it should still be under the "view" tab? Though, no version (that I'm aware of) really has the ability to move around to different sections (in terms of parts, not measure #) of the score while playing; if anybody knows of a way to do that successfully in 2011 that'd be awesome
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Topic: Arrangement Contest No. 5 in E-sharp "Variable Mix" (Read 26876 times)