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#46
Coming back to this for a bit, recently in the updater discord we had a little back and forth about whether formatting should be fixed before accepting or before approving. We decided to do so before approving, as an approval essentually means that an updaters think the sheet is fully able to be uploaded to the site. At the accept stage it's best to work together on what things you're able to fix yourself in notepad, and what things an updater will need to fix.
Anyway, apparently the current .mus file has the contents of your star fox versus select sheet. Could you upload the correct .mus file? Then I can go ahead and fix the formatting things that were left ^^
#47
Bump for arranger!
#48

Great game! Very different kinda music than what I usually arrange ^^
#49
Site News / Re: Update, Wednesday 28th of February 2024
February 28, 2024, 11:39:43 AM
Quote from: TheZeldaPianist275 on February 28, 2024, 10:54:19 AMBloop, wanted to give you a heads-up about a couple things I noticed on the site. The Illusion of Gaia sheet is still labeled "Final Battle" from the sheet select page, and the new games on the "Other" tab (Street Fighter, RE5, and WB3) don't have dates programmed in, so they show up at the top when you sort by date.
These have been fixed, thanks for letting us know!
#50
Quote from: Fernman on February 27, 2024, 05:39:33 PMMy thinking was the notes don't go high enough off the F staff to warrant switching to a G clef, I'm not sure about having so many notes near/above the staff for a prolonged period of time (even though once you figure out the first notes you know the rest of them), and I thought simplifying note position movement by keeping it all 8va would make the song easier to read at first glance. Though maybe getting rid of the 8va is the better decision? That's what I uploaded anyway. What are your thoughts/how would you recommend this be arranged?
My recommendations were what I posted in my first post, this looks good to me! You could also put m9-13 in the G clef if you want less ledger lines, but usually 3 or less ledger lines are still readable enough. I recommend only using 8va's when going lower than the F clef, or higher than the G clef: when going higher than the F clef or lower than the G clef, it's usually better to just switch clefs instead.

Quote from: Fernman on February 27, 2024, 05:39:33 PMI thought about making the F clef have a second voice for the bottom note of the top staff chord, but not sure if that is common practice, that would for sure require me getting rid of the 8va (otherwise it looks weird) and I could either pick up the 8va in the next measure or later on as you suggested.

Otherwise as you said the player would have to figure it out once they get there how they are going to play it.
I don't think writing out a separate layer in the L.H. works as well, mostly because it makes less sense when playing from the start. You could leave a performance note saying something like "optionally, play bottom D in the L.H. on repeat", but it's probably easiest to just leave it up to the player to decide. When they see the optional ending, they might be able to get to the same conclusion.

The image you posted doesn't embed properly for me btw (copying the link does work), but with the new forums you can upload images in the Reply button too (not the quick reply, but the blue reply button in the same space as the page numbers, mark unread button, etc

Lastly, I see some staccatos got added to some 16th notes in m9-12's R.H. and m11's L.H., which weren't there before. It's probably better to leave those out: restriking the notes and chords at this speed effectively means the same thing as playing them staccato anyway.
#51
Site News / Update, Wednesday 28th of February 2024
February 28, 2024, 02:51:35 AM
Hello everyone! Welcome to today's NinSheetMusic Direct! In this presentation, we'll be focusing on sheet music launching today from our arranging partners. Please take a look at this:


[NES] Dragon Buster
"Catacomb" by Jacopo Tore & Federico Mariane

[NES] Dragon Quest
"Miscellaneous Short Themes" by LeviR.star

[SNES] Illusion of Gaia
"Final Battle" (Replacement) by Nine Lives

[PC] Lucid9: Inciting Incident
"Rationality" by mastersuperfan

[GCN] Mario Kart: Double Dash!!
"Waluigi Stadium & Wario Colosseum" (Replacement) by Nine Lives

[GCN] Mario Party 5
"Bustling Noisily" by ThatHiddenCharacter

[GCN] Mario Party 7
"Ready, Set, Fun" by ThatHiddenCharacter

[NDS] Pokémon Black Version & Pokémon White Version
"N's Castle" (Replacement) by Latios212

[MUL] Resident Evil 5
"Rust in summer 2008" by Static

[ARCADE] Super Street Fighter II: The New Challengers
"Dee Jay Stage" by Fantastic Ike

[GB] Tetris
"2 Player - Danger! (Toréador Song)" by Code_Name_Geek

[SNES] The Legend of the Mystical Ninja
"Sentiment of Travelers in Hagure Town" by Code_Name_Geek

[GBA] The Legend of Zelda: A Link to the Past and Four Swords
"Sea of Trees" by Cashwarrior1

[MUL] The Legend of Zelda: Breath of the Wild
"Divine Beast Vah Naboris (Dungeon)" by Bloop

[PC] Undertale
"Spear of Justice" by XiaoMigros

[SMS] Wonder Boy III: The Dragon's Trap
"The Monster's Lair" by LeviR.star

[SW] Xenoblade Chronicles 2
"The Tomorrow With You" by JZ

[SW] Xenoblade Chronicles 3
"Nia - Toward the Heavens" by Latios212


That's all for today's NinSheetMusic Direct. Thank you for watching!
#52
-In the R.H. in m9-10, the A#'s should be Bb's, and in m11-13, the Db's and Gb's should be C#'s and F#'s. These are all sus2-chord voicings, but currently look like normal triads. The L.H. Db's in m11 should be C#'s too
-While I know you mentioned you didn't want the notes to go too high above the bar, you don't necessarily need the 8va in m1-8 at least, because the highest note is still just 2 ledger lines above the bar (Eb in m5), which isn't much higher than the lowest note that you currently have (the low C in m2). You could keep m9-10 in F clef too if you're okay with the F and F# one step above the second ledger line, but you could also put these 4 measures in the G clef
-For repeating from m12 back to m1, it's probably easier for the L.H. to take the lower D in the R.H., similarly to how you did in m13-14, but I don't know if there's a straightforward way to notate that :p You could also just leave that up to the player to decide for themself.
#53
Ah, seems I didn't notice that you updated your files! The layers in m26's L.H. could be switched around so that the E's have their stems pointing upwards, but I'll approve for now so another updater can take a look!
#55
Quote from: Latios212 on February 26, 2024, 03:09:21 PMAh, I like this! It makes sense to play it verbatim, and yeah I removed the lower octave F.
I hear Bn instead of Bb in the septuplet, but aside from that everything looks good!
#56
Taking a quick look in place of Libera:

Quote from: Latios212 on January 21, 2024, 05:22:56 PMasn't too sure if there was something there but I like it for continuity reasons anyway. Added!
I... actually don't know. I've never come across a situation like this before. I could change the angling and raise it above the flat, but it wouldn't connect the noteheads as directly. I could also change the key signature one measure earlier, but that feels like a cop-out and it wouldn't coincide with the section change. Aside from that, was there an option that prevented lines from drawing through signatures? Even so, I'm not sure if breaking that line would look good. Open to suggestions if you have any xD
As far as I know I don't think there's a way to cut lines going through other objects, so I don't think there's another way to write the glissando than how you have it now. However, I personally find it a bit hard to play the glissando and then immediately jump to the chord on beat 1, especially if you want the glissando to go on until the E. Some alternative suggestions I could give:
-It's not entirely impossible to play the whole septuplet run (F-G-A-Bn-C#-D-E), but a bit hard to play the F-A-F afterwards still, which you could change to A-F instead?
-You could also write out the latter half of the run (from Bn or C# to the F-A-F in m24)

Quote from: Latios212 on January 21, 2024, 05:22:56 PMSorry if that was confusing. Playback aside (I suppose I should try to find a way to fix that), do you think it's worth explicitly including the flat symbol on the trill? Probably your confusion over reading this is enough reason...
Libera was talking about the Bn at the end of the bar in the L.H. right, on beat 11? I have a bit of trouble hearing exactly what happens in the bass in the original (don't have any earbuds on me atm to check really closely) but it sounds like it might be doing C#-D-E too.
The trill btw looks fine to me without the flat symbol ^^

One other thing that might I noticed, sometimes I see staccato notes in compound times like these written as an 8th with two 8th rests, which might read a little bit easier than a staccato quarter note (especially when it's under a dotted quarter note in the R.H. like in m12)
#57
Awesome, it looks a lot better now! A tiny thing I might add is that the 8th rest in m6 beat 2 (the upper layer) could be raised a bit, as it almost looks like it's part of the bottom layer since it's horizontally aligned. I'll approve either way though!


Quote from: ThatHiddenCharacter on February 22, 2024, 12:19:47 PMMost of the time, even if I disagree with something, if enough Updaters say it, I will change it. This is not one of those times. I fully believe that dotted rests have no place in common time, and I will die on that hill. None of the professional sheet music I own ever do it, and it makes me physically cringe when I see it done. I don't mean this in any malevolent way, I just want it to be abundantly clear how important that fact is to me.
That's absolutely fine! I personally like using dotted rests for rests smaller than the beat value to be a bit more concise, and I've seen it mentioned in Behind Bars and used in professional sheets too. Either way, it's fine ^^
#58
Nice, then I'll approve!
#59
Awesome, then I'll accept!
#60
Quote from: Kricketune54 on February 17, 2024, 07:10:27 PM• m14 LH you could adapt the specific beats/pulsations the same way as m9, m11, and m13, etc. unless you were just trying a sort of every other measure approach between that and tremolos
I actually didn't notice those at first, but I think I prefer the alternation for consistency yeah

Quote from: Kricketune54 on February 17, 2024, 07:10:27 PM• m53 RH 1.0 the 8th rest should be reduced size?
It is alright right? Anyway I noticed m29's notes and rest weren't reduced in size yet, so I fixed that :p

Quote from: Kricketune54 on February 17, 2024, 07:10:27 PM• I'm not sure what you're preference is or if it's changed, but did note that in some of your past sheets the stem side staccatos were over the notehead whereas here they are over the stem
Ah yeah, tbh I forgot what my preference was but reverted it to notehead side ^^

Files updated!