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NinSheetMusic is 1264 years old!
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Show posts MenuQuote from: AwesomeYears on September 18, 2018, 05:25:17 AMI was thinking of adding likewise stuff in bars 15 and 17 in between the rests, but I'm not entirely sure how to put it in.Any progress on this?
Quote from: Latios212 on October 07, 2018, 03:30:57 PMI think rolling large chords isn't uncommon in classical stuff, either.Sure, from a pianistic stand point rolling big chords is fine. I'm just thinking of the best way to emulate the fast strums of the guitar. Anyway....
Quote from: Latios212 on October 07, 2018, 02:57:16 PMThough I suppose m. 4 could use the lower B if you really think so.
Quote from: Latios212 on October 07, 2018, 02:57:16 PMAs for the last measure, the low E is very subdued compared to the ones before it and similarly I would like to omit it to focus instead on the strummed chord above.For these two places I personally think it's important to get the correct inversion. I'd definitely add in the B and the E in these two places. I understand where you're coming from with the final chord in that the E is much quieter, but perhaps you could notate that in? (perhaps a smaller note-head or a dynamic?) Ending on a third inversion chord really embodies the character of the piece at the end and is something I noticed immediately when listening to the original.
Quote from: Latios212 on October 07, 2018, 02:57:16 PMThe intro's chords are fine to roll with one hand; it's just my personal preference to split them up as such and I leave that choice up to the performer what to do with it. Conversely in m. 8 and 12 the notes are not rolled, and as such I more strongly impose the suggestion that the middle notes be picked up by the right hand to avoid tenths (and augmented tenths).Are they really fine to roll with one hand? When I looked at it the only thing I could think of was taking the top note in my right hand like you do in your video. Still if that's your choice, fair enough.
Quote from: Latios212 on October 07, 2018, 02:57:16 PMI don't think this is particularly important, but sure I can put it backI mean it's not particularly important, but I'd still suggest putting it back in. It's not like you're cramped for space there.
Quote from: Brassman388 on August 18, 2018, 08:49:07 PMIf you want to stay consistent with the the notes that are resounded, like in the first measure with the B, then the F-sharp in measure 4, and in measure 7.What Brassman means is that you use parentheses on the first B in the right hand and then later on when the notes overlap you don't use parentheses (such as the F# in bar 4).
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