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Nice!  I'll check about those dynamic markings with the other updaters, but other than that I think this is ready!

Levi, I'm sorry if I've given you the wrong impression.  If you'd prefer it with the simplified lower voice then that's totally fine.  The reason I suggested having a go at putting it in was because you seemed open to the idea not because I thought that the way you had done it was wrong in some sense.

There's actually a big button on the admin interface that just reads 'DELETE NSM' and there's not even a confirmation screen when you click on it.

Just a short one today.

Ships and Homes: [Musx] [Pdf] [Midi] [Mus]

9/8 usually refers to compound 3/4.  Also I'm not sure the lengths work out quite like that.

Woooo.

So I might just be going crazy but in NASU game it doesn't sound like it's quite 4/4 to me (it seems a little longer).  Maybe consider putting a little pause sign at the end of each bar?

I've already done the ultimate chapter music so here's the penultimate chapter music!  (Yes I know Far Away is the penultimate chapter for Birthright but ehhh I'll get round to that at some point... maybe).  This is also my 30th Fire Emblem arrangement woo.

Glory/Ruin: [Musx] [Pdf] [Midi] [Mus]

Edit: I just realised that it's also exactly 3 months since I started this thread, and also this is my 40th arrangement.  Funny that it lined up like that...

Yeah, sorry, E#.

In terms of notes the only thing I can see is the second crotchet in bar 16 sounds like an Fn rather than an En to me.

Another thing is that everywhere you have slurs with accents they're colliding.  Just move the slurs so that they're not touching the accents.

Looks good otherwise.

Is there any particular reason (other than that they all have NASU in the title) to put all of these sheets together?  (I'm not familiar with Yume Nikki as you might have guessed.)

Also the fourth minim in NASU title screen in the left hand should be an F not an E.

Notes look good.  I'd suggest putting this into 3/8 though personally.

If that's your thinking then that's fine by me.

Looks good!

I'm back.  A few things:

-Move the f in bar 1 to the left of the top chord; it's all squished in at the moment.
-I'm not feeling the way you've done the chimes at the moment.  I'm assuming you've tried to put the other harmony in with them and that's why they're chords rather than what sound like single tones to me.  Those thick chords really high up don't give the same feel that I think you're trying to emulate here.  I think you could drop the 8vas (it'd still be significantly higher than the surrounding notes) and also consider dropping the extra harmony.

Also:

I was thinking of adding likewise stuff in bars 15 and 17 in between the rests, but I'm not entirely sure how to put it in.

Any progress on this?

I think rolling large chords isn't uncommon in classical stuff, either.

Sure, from a pianistic stand point rolling big chords is fine.  I'm just thinking of the best way to emulate the fast strums of the guitar.  Anyway....

Looks good!