Opening Theme
- Going off what Bloop said, I think it would make sense to fill out some of the subsequent chords similar to m. 1 and m. 3. Both F and G in the chord in m. 5/9/33, and F in the chord in m. 7/11/35.
- Also m. 5: the durations of the dotted quarter and dotted half should also be switched so that the dotted half coincides with the second half of the measure.
- The durations are a bit hard to say for sure for m. 8-12, what you have seems fine at a glance. For m. 12, I think you can use a dotted eighth for the Eb as notes within the same beamed group shouldn't be tied together in general.
- The quarter rest in m. 15 should be split into two eighth rests since it doesn't fall on a downbeat.
I'll also have to trust you on the looping structure for this one since the video ends abruptly
- Going off what Bloop said, I think it would make sense to fill out some of the subsequent chords similar to m. 1 and m. 3. Both F and G in the chord in m. 5/9/33, and F in the chord in m. 7/11/35.
- Also m. 5: the durations of the dotted quarter and dotted half should also be switched so that the dotted half coincides with the second half of the measure.
- The durations are a bit hard to say for sure for m. 8-12, what you have seems fine at a glance. For m. 12, I think you can use a dotted eighth for the Eb as notes within the same beamed group shouldn't be tied together in general.
- The quarter rest in m. 15 should be split into two eighth rests since it doesn't fall on a downbeat.
I'll also have to trust you on the looping structure for this one since the video ends abruptly
