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Awesome continuing along with that every Kirby game rep I see

Oh, and if anyone has reason to believe the title should be something else, please speak up.

Remind me again what this track is used for? I forgot this game had any exclusive music at all...

[accepting]

Fantastic, then it's accepting time! Thank you for your replacement!

Thank you both for checking! Nudged the roll line up a tiny bit and added fermatas!

[approval]

I actually do hear this D as a little louder although my primary reasoning is because I felt like it was the same melody as in m. 34. If I'm the only one who hears it though I'm fine with removing it.

Ah, I didn't notice that! Yes, that makes sense.

Looks good to me! Have an emphatic approval

-m5-10 RH beat 4: I understand the removal of the thirds here to make it easier, but I actually find the parallel thirds here pretty idiomatic (and fun) to play. Up to you though.

(I assume this means m. 5 and 10 and not 5-10?) I'm awful at playing parallel thirds so I'm a bit biased lol. But if you want to keep it simple to play, keeping the first dyad on beat 4 is still easy to hit so I'd recommend that.

-m1-4 LH beat 1: I agree with simplifying the LH for the rest of the sheet, but I think you could get away with adding the second 16th here on beat 1.25.

I agree with Radiak that two notes in a row is perfectly fine to ask especially since the LH isn't doing anything else besides hitting this note in the intro (I agree with cutting beat 1.25 in m. 6+ since the LH is busy with the rest of the line).

Other than that, I think I just have one comment which is that the D.S. back to m. 2 is a bit awkward since it lands within a repeat structure. What would you say to just cutting the last measure and having a D.C. instead? The main difference would be the 16th note tied A in the right hand which is pretty much negligible at this speed. (Combined with the above change this would mean playing the LH D three times in a row, which is proooobably fine to ask for once)

Yay, super happy to see you submitting!

I assume the track title is from this album? No "~Love At First Sight" in the official title?

A couple small pieces of feedback:
- I think the Ab in m. 10 would be better off as a G#, and similarly for C# in m. 30. Those pitches resolve up to A and D respectively in the following measure
- I don't hear any indication that the D written in the RH of m. 14 is part of the melody? Doesn't sound particularly louder than the other LH notes

I feel like it would look nicer if in m10, m13/14, m15/16, m17/18, m19/20, and their counterparts in m21-40 had the notes tied over into the rests.

I actually had it that way originally, but couldn't make up my mind about the note lengths. I'm not positive about m10/m30, but after listening again it does sound like those are held so I went ahead and changed those as well as the others.

I think extending the note durations rather than writing rests is good for this piece. You can try to listen closely for the delay in the original, but on a piano with pedal it won't make much of a difference, so it's fine to fill in the space to match the style.

[nice work.]

Got nothing to add, nice work. Also how is this our first and only Flower Town sheet?? That can't be right... I'll be sure to rectify that sometime soon.

Thanks! Yeah a bunch of stuff here would be no-brainers for the site xD

Nice piece.
I don't hear any notes different to transcribed. I think there is a strings doubling the bottom note of the chord down an octave, but that seems silly to include.

The con pedale direction may lead performers to hold the pedal for 2 bars, whereas including some |______| then a simile would probably convey a more accurate pedaling technique.

I also see nothing wrong with the notes. I see what goldenscruff is saying about the con pedale. I think either way works without too much detriment (for example, if I were to play this I'd probably hold the pedal for two bars anyways since I've gotta be hitting those RH overlap notes.) Looks like a great sheet though!

Yeah, it actually is my intent to have the user pedal for each pair of measures. I think if I were to put an explicit pedal break in between each pair of measures, it runs the risk of the performer making it sound too disconnected by adding an audible break.

Taking a quick look now, notes all seem good! Some small things to consider:

-m10, 12, 14-16: Maybe you could put these measures in the G clef too, as they're technically part of the "high" piano part? They have a similar amount of ledger lines below the staff as they have above atm.
Alternatively, in these same measures, you could cross-staff the notes from beat 1.5 on to the R.H., as the R.H. is already in that range anyway and it helps seeing you don't necessarily need to hold the chords in those measures pressed
-Maybe not necessary, but you could add a courtesy accidental on m20 beat 3 in the R.H.

- Sounds good, I opted for a clef change rather than cross-staffing to parallel the previous section, and it's easy enough for the performer to decide to take notes with their RH.
- Yeah, courtesy natural there sounds good!

Files updated, thanks for the quick look everyone!

I forgot I had a slot open all this time, so here's something super simple, so as to take less time away from other submissions.

I listed the game as StreetPass Mii Plaza and put the sub-game (Flower Town) in the track title, similar to the recent Nintendo Music release of the base games. Composer info from here.

[approved]

No worries, I gotcha; files are updated! For the tempo marking I think I just needed to turn off the "fixed size" option on the Finale side.

With that, this sheet is approved! Nice work~

Thanks for the look! I think you're right about that. Updated

Awesome work! Just a few things to mention.

- m. 5 beat 1: LH should have Eb on top instead of Gb, and RH should have an additional Ab on bottom
- m. 5 beat 3: LH should be F-C-Eb
- m. 12 beat 2.5: I think I hear an Eb along with the F in the LH?
- You don't need the p dynamic in m. 9 since it's already at p. Additionally, the crescendo should stop before the barline at the end of m. 11, not touching or crossing it.
- https in URL
- I'd consider getting rid of the lower F# in the RH of m. 22 (and 18); it's a large stretch for harmony that's already covered
- I think the last chord actually falls on beat 1 of the last measure instead of anticipating it by an                 eighth note?

Also, later someone will need to edit the position of the whole notes in m. 14 so they don't overlap the eighth note stem, and remove extra accidentals in separate layers in m. 15 LH. Also changing the size of the tempo marking.

[Kricketune54]

Hello friends, and a late welcome to 2025!

The first thing I want to announce is that Kricketune54 will be moving to the Ghost Updater role. Please give Kricketune many thanks for all the help reviewing sheets over the past couple of years!

But that's not all - we will also be bringing two longtime contributors onto the staff as new updaters! cashwarrior1 (also known as jascas) and Radiak488417 (not sure where the other 488416 of them went) are joining our updating team to help review sheets. It's been a bit of a slow season on the sheet review front due to our existing staff being pretty busy and needing to focus time on MuseScore support, but I feel much better about things with these two helping out. We will continue get to your submissions as soon as we possibly can!

That's all for today; please give them your congratulations and thanks for spending their time helping the site out - and look forward to more sheets as always in 2025!

[Animal Crossing: Wild World]

Happy February all! Today I bring you another sheet written in MuseScore as I quickly become more comfortable with it. Making the jump from Finale wasn't as bad as I expected, and I at this point I'm more than happy to do my primary arranging in MuseScore from now on.

Anyway, please enjoy this classic tune that we don't have on site yet (I'll submit this shortly).

Animal Crossing: Wild World

NEW!

Title Theme

[MSCZ]

[MIDI]

[PDF]

[Original]

[approved]

Neat. Nothing more to add from me, I think approved

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