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[21 years old]

A bit delayed as I have been rather occupied lately... but as of last week, NinSheetMusic is 21 years old!! I don't have much of a speech to make right now, but thank you to all the contributors and friends of NinSheetMusic over the years who have made it what it is today, helping members of the broader video game music community every day.

Time to pour one out for the site, as it's legal drinking age in the states now

[approval]

Neato! You have my approval

Great sheet! Only thing I have to mention is m. 1 beat 3 LH: I hear an additional C above the Bb.

[Link]

Hello from April 2nd! The sheets have been removed from the site, but you can still find them over here until we find a better long-term place to house our April Fools sheets!

Link

So Finale is gone now... Is there any way to create mus. files anymore?

You can still create .mus files and use Finale as before if you already have it. If you don't, read this and please wait patiently while we add full support for MuseScore sheets on the site: https://www.ninsheetmusic.org/forum/index.php?topic=13086.0

Awesome continuing along with that every Kirby game rep I see

Oh, and if anyone has reason to believe the title should be something else, please speak up.

Remind me again what this track is used for? I forgot this game had any exclusive music at all...

[accepting]

Fantastic, then it's accepting time! Thank you for your replacement!

Thank you both for checking! Nudged the roll line up a tiny bit and added fermatas!

[approval]

I actually do hear this D as a little louder although my primary reasoning is because I felt like it was the same melody as in m. 34. If I'm the only one who hears it though I'm fine with removing it.

Ah, I didn't notice that! Yes, that makes sense.

Looks good to me! Have an emphatic approval

-m5-10 RH beat 4: I understand the removal of the thirds here to make it easier, but I actually find the parallel thirds here pretty idiomatic (and fun) to play. Up to you though.

(I assume this means m. 5 and 10 and not 5-10?) I'm awful at playing parallel thirds so I'm a bit biased lol. But if you want to keep it simple to play, keeping the first dyad on beat 4 is still easy to hit so I'd recommend that.

-m1-4 LH beat 1: I agree with simplifying the LH for the rest of the sheet, but I think you could get away with adding the second 16th here on beat 1.25.

I agree with Radiak that two notes in a row is perfectly fine to ask especially since the LH isn't doing anything else besides hitting this note in the intro (I agree with cutting beat 1.25 in m. 6+ since the LH is busy with the rest of the line).

Other than that, I think I just have one comment which is that the D.S. back to m. 2 is a bit awkward since it lands within a repeat structure. What would you say to just cutting the last measure and having a D.C. instead? The main difference would be the 16th note tied A in the right hand which is pretty much negligible at this speed. (Combined with the above change this would mean playing the LH D three times in a row, which is proooobably fine to ask for once)

Yay, super happy to see you submitting!

I assume the track title is from this album? No "~Love At First Sight" in the official title?

A couple small pieces of feedback:
- I think the Ab in m. 10 would be better off as a G#, and similarly for C# in m. 30. Those pitches resolve up to A and D respectively in the following measure
- I don't hear any indication that the D written in the RH of m. 14 is part of the melody? Doesn't sound particularly louder than the other LH notes

I feel like it would look nicer if in m10, m13/14, m15/16, m17/18, m19/20, and their counterparts in m21-40 had the notes tied over into the rests.

I actually had it that way originally, but couldn't make up my mind about the note lengths. I'm not positive about m10/m30, but after listening again it does sound like those are held so I went ahead and changed those as well as the others.

I think extending the note durations rather than writing rests is good for this piece. You can try to listen closely for the delay in the original, but on a piano with pedal it won't make much of a difference, so it's fine to fill in the space to match the style.

[nice work.]

Got nothing to add, nice work. Also how is this our first and only Flower Town sheet?? That can't be right... I'll be sure to rectify that sometime soon.

Thanks! Yeah a bunch of stuff here would be no-brainers for the site xD

Nice piece.
I don't hear any notes different to transcribed. I think there is a strings doubling the bottom note of the chord down an octave, but that seems silly to include.

The con pedale direction may lead performers to hold the pedal for 2 bars, whereas including some |______| then a simile would probably convey a more accurate pedaling technique.

I also see nothing wrong with the notes. I see what goldenscruff is saying about the con pedale. I think either way works without too much detriment (for example, if I were to play this I'd probably hold the pedal for two bars anyways since I've gotta be hitting those RH overlap notes.) Looks like a great sheet though!

Yeah, it actually is my intent to have the user pedal for each pair of measures. I think if I were to put an explicit pedal break in between each pair of measures, it runs the risk of the performer making it sound too disconnected by adding an audible break.

Taking a quick look now, notes all seem good! Some small things to consider:

-m10, 12, 14-16: Maybe you could put these measures in the G clef too, as they're technically part of the "high" piano part? They have a similar amount of ledger lines below the staff as they have above atm.
Alternatively, in these same measures, you could cross-staff the notes from beat 1.5 on to the R.H., as the R.H. is already in that range anyway and it helps seeing you don't necessarily need to hold the chords in those measures pressed
-Maybe not necessary, but you could add a courtesy accidental on m20 beat 3 in the R.H.

- Sounds good, I opted for a clef change rather than cross-staffing to parallel the previous section, and it's easy enough for the performer to decide to take notes with their RH.
- Yeah, courtesy natural there sounds good!

Files updated, thanks for the quick look everyone!

I forgot I had a slot open all this time, so here's something super simple, so as to take less time away from other submissions.

I listed the game as StreetPass Mii Plaza and put the sub-game (Flower Town) in the track title, similar to the recent Nintendo Music release of the base games. Composer info from here.

[approved]

No worries, I gotcha; files are updated! For the tempo marking I think I just needed to turn off the "fixed size" option on the Finale side.

With that, this sheet is approved! Nice work~